Lijst van lantaarnplaatjes (between 1906-1913)

-a to 1-, r-l V) M fUJ B r~t C'l Oi 'f o •■£< 62 COMIC TALES THE 1 An elephant went out for a walk, 3 He is thirsty, and drinks at a lake. 8 A native has a shot at him. 4 The elephant pursues him. & He catches him by the ear. 6 Ho gives him a good shaking. 7 The elephant throws him into the lake. ELEPHANT 8 A crocodile appears. 9 The elephant gives him a shower bath. 10 He took hold of his drawers and shook him. 11 The elephant then threw him into a cactus bush. 13 The elephant leaves him covered with prickleo. MR. AND MRS. BROWN’S ADVENTURES WITH A MOUSE. 1 Their midnight slumbers are disturbed by a mouse. 2 Browr commences the attack. 3 Why don’t you stop him. 4 The chase becomes more exciting. 5 The mouse retreats into Brown’s night-cap. / S Ha I ha 1 wo have him safe at last. 7 They bear him in triumph to a tub. 8 But unfortunately forgot there was a hole in It 9 Softly, we Ehall have him yet. 10 But, when caught, is not so easily shaken oS. 11 Finalleap and downfall of Mr. and Mrs. Brown. 12 Mr. and Mr3. Brown, I wish you good morning. 1 3 C 1 2 1 3 $ 4 6 6 1 3 S 4 6 BROWN AND Brown determines to become a great hunter, so starts in search of the bear-. Arranging liis plans. Sudden termination of his reverie. Brown bents a rapid retreat, followed by the grizzly. He is brought to a sudden and full stop. He leaves a relic with his grizzly foe. His relentless foe descends. Brown again attempts to escape, leaving his unmentionables in the mouth of his foe. THE UNSKILFUL Three dogs admiring a rat in a trap. The excitement at the idea of the rat being let out. The rat is out—they obtain a fair start. The rat cuts for his life up stairs. Dreadful collision with the housemaid. By taking the nearest cut the rat gains an advantage. THE BEAR. S He climb3 the tree, followed by the bear. 9 The tree breaks with their weight. Thrilling sensation. 10 Brown falls on the bear, and makes a novel use of his pocket corkscrew. 11 Fastening his foe to the tree, he enjoys the fragrant weed. 12 Triumphant entry of Brown into his nativa city. RATCATCHERS. 7 He runs up the wall, contrary to the expecta- tion of the dogs. 8 Turning back, the rat jumps over a barrel. 9 To the great inconvenience of the dog that followed him. 10 Tremendous effort—the dogs baffle each other. 11 The rat think3 “just in time’’—the dogs “just too late.” 12 *tne dogs lie down defeated and exhausted. THE GOSSIPS. lira. Chatterbox and Mary Dawdle enjoying a quiet gossip. They are separated by a man with a harrow. The town-crier divides them. The military authority passes between them. They are interrupted by a man rolling a barrel. The military school marches past. 7 The water-cart gives them a sprinkling. 8 A flock of geese pass unheeded between them. 9 A timber-carriage parts them. 10 The rain pours down in torrents. 11 A pig gets tripped up between them. 13 Thunder and lightning ends the conversation. THE ORIGIN OF JONES’ BABY. The order given. 1 S At the risk of the purchaser. Carriage tree. I 4 "With all faults and errors of description. FROFESSOR CROTCHET’S MUSICAL RECITAL. Eilentismo. Introduzione. Scherzo. Adagio con sentiment©. Piano. Maestoso. DIOGENES AND THE Diogenes in his barrel. The boys annoy him by knocking the barrel. Diogenes, unab’le to bear it, cries out, “ Who’s there t ’’ They drench him with dirty water through the bung-hole. Diogenes comes out dripping wet and vows vengeance. They commenoe rolling the cask down the hill. 7 Capriccioso. 8 Fuga del diavolo. 9 Forte vivace. 10 Fortissimo vivacissimo. 11 Finale furioso. 12 Bravo hravissimo. BOYS OF CORINTH. ? Diogenes calls out, “ Stop, stop 1 ” still the cask rolls on. 8 Two bent nails catch in their clothes. 9 The nails hold them fast, and over they go with the barrel. 10 The cask rolls on faster, and under it they go. 11 The cask stops, and Diogenes sees the two boys rolled out as flat as pancakes. 12 Diogenes in his wisdom says, this is the pun* is tinea t of mischief.