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EMPIRE FILMS
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Our latest releases:
ZOBBIPCS
JAPAN SPECIALS
No. 1. The Land of the Geisha Girls No. 2. The Life of a Japanese No. 3. Sacred Beauties of Japan
PANAMA CANAL SPECIAL
No. 4. The Panama Gateway
HAWAIIAN ISLANDS SPECIALS
No. 5. On the Beach at Kaikiki No. 6. The Honolulu Hula
AUSTRALIAN SPECIAL
No. 7. The Boomerang
NEW ZEALAND SPECIAL
No. 8. Rubbing Noses in New Zea
land
SOUTH SEA ISLAND SPECIALS
No. 9. Chasing the Cannibals No. 10. Kannibal Kids No. 11. A Cannibal Holiday No. 12. A South Sea Coronation No. 13. The Tattooed Chief
THE FAMOUS ISLES OF ROMANCE
No. 14. Dancing Daughters of
Samoa No. 1?. Eat 'Em Alive
A South Sea Kitchen Why Dressmakers Go Broke
No. 18. Man's Paradise No. 19. Cock Fighting No. 20. Black Bottom
No No
16. 17.
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Fifty-jour
after failing to disclose himself to his family.
Here is certainly melodrama and here are all the possibilities for "hokum" to the most extreme degree. Yet this photoplay avoids all the pitfalls and gives us melodrama that seems to us inevitable and convincing. The theme may bore us but the treatment is dignified and admirable. If we can separate manner from matter, which, supposedly, the intelligent movie goer has learned to do, we shall enjoy the manner of "The Wav of All Flesh."
It is unquestionably a play for intelligent adults. The director's mind has been clean throughout and one finds no appeal to the salacious for its own sake. It is an honest "thriller" done with fine scenario, directorial and cinematic technique. It is recommended for non-theatrical showing.
CLOSEUP WORK FOR ADVANCED AMATEURS
{Continued from page 40 i
more imperative to emplov a more positive means of focusing with telephoto lenses than when using the usual 1-in. lens.
As it is not only difficult to obtain an exactly matched pair of telephoto lenses, but also an extra expense, one telephoto may be used in the following manner. The telephoto lens is first screwed into the focusing microscope, brought to sharp focus, then carefully unscrewed (without disturbing the focus) and transferred to the threaded lens receptable of the camera, when used in this manner, the compensating-base must also be employed, for the reasons alreadv stated.
A far more convenient telephoto attachment is illustrated in Fig. 4, known as the reflex focuser. This consists of a Goerz-Dogmar 4-in. / 4.5 lens (J) attached to the "reflex focuser" (K). The latter is operated by causing a small prism to be introduced between the lens and the film. The prism is attached to the knob (L) by which it is slid into position when focusing, and off to one side while the picture is being