American cinematographer (Jan-Dec 1926)

Fourteen AMERICAN f'lNEMATOGRAPHER September, 1926 BELL & HOW Above: master of trick shots E. A. Dupont, director of Universal's super-Jeivel, "Love Me and the World Is Mine," had this battery of Bell £?" Howell Cameras for one shot. Dupont is under the umbrella. Jackson Rose, his firs cameraman, is second to right from him. At the right: Cameraman Jackson Rose, Charles Puffy, Dupont, Mary Philbin and Norman Kerry in a scene from the same production. "The Never Obsolete Pioneer B.^fH. PROFESSIONAL STANDARD A SCREEN production can be no better than the cameras used in making it.The work of the writers, the continuity men, property men, directors, actors, camera men, and all others who contribute to the success of a production, mean nothing until their efforts are focused in the eye of the camera and faithfully recorded on film so that others can see it. For 19 years the Bell & Howell Pioneer Standard Professional Camera has been a familiar "property" to those who have reached the heights of filmdom. This Pioneer Camera has constantly kept pace with the developments of the industry. Through it the best thought, talent and effort of the profession have been brought to the eyes of the world for its appreciation and rewards. Jackson Rose, in the pictures above, also a Pioneer, operated Bell & Howell's Camera No. 1, way back in the Essanay Days. He still puts his faith in a Bell & Howell and says he always will. The reason is that though the B. & H. may become old it never becomes obsolete. Basically patented pilot register movement and interchangeability of detail parts keeps it constantly up to date. Displays at our Hollywood, Chicago, New York and London offices BELL &f HOWELL CO. 1805 Larchmont Avenue, Chicago, 111. New York, Hollywood, London Established 19 07