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on stage 30. The foreground was prac¬ tical set construction. In the background the bridge of the Areheveche and view of the Cathedral of Notre Dame were painted on a hundred-foot cyclorama, which merged with the set in the fore¬ ground. The water in the river was real — a portion of the huge tank on this stage was filled and mechanical means employed to give motion to the water. Special attention was given here to the effect of night illumination in order to keep the scene looking as romantic as possible.
In all of the night exterior scenes th roughout the picture we used some smoke or fog, and lighted wholly or partially with warm or cool-colored fil¬ ters — according to the demands of the setting. This was a definite help in cap¬ turing the feeling of night in the city.
From the Quai, the girl (Leslie Caron ) leaves Kelly to meet her fiance (Ceorge Guetary) whom we see singing a number in a spot-light effect in a French music hall of the Folies-Bergere type. Two unusual features of the stage setting for this sequence were the can¬ delabra on either side at the foot of the stair. These were formed of beautiful girls in living sculptures. It is, of course, futile to gild the lily; but no one ever said you can t glamorize glamour. We tried it, with these beautiful chandelier girls, by putting a light magenta filter
NEW 1951
SENSITESTER
° Electronic timing accurate in re¬ peat action.
0 New cold light illumination source.
• Cold light lamp made exclusively for the SENSITESTER.
ADT REEVES MOTION PICTURE EQUIP. AND (AMEPA SUPPLY COMPANY
7512 SANTA MONICA BOULEVARD
HOLLYWOOD 46
CALIFORNIA
• Simplified one-knob control for setting time interval located directly before operator’s eyes.
• Timer range more than adequate for any type film known. Provides accurate timing of exposure from a fraction of a second to 1 5 seconds duration.
® Makes light test strips for determining proper printing machine timing. Also makes sensitometric strips for simpla gamma curve plotting.
• SENSITESTER can be had for 35mm or 16mm, or combi¬ nation model for both.
• Timing accuracy insured by 5 tube electronic intervalometer.
NOW. . .
Use The Same Film Speed Index Number, Indoors Or Out
With YOUR Exposure Meter!
Did you ever stop to think why your exposure meter uses one film speed number for daylight, and a different number for tungsten illumination? It's a nuisance, isn't it? But it needn’t be. If you own one of the meters listed below, you can have the photocell replaced with a new PRC PHOTOCELL !, enabl¬ ing you to use the same film speed, whether you shoot indoors or out.
PRC REPLACEMENT PHOTOCELLS ARE CURRENTLY AVAILABLE IN LIMITED NUMBER TO PROFESSIONAL CAMERAMEN for the following exposure meters:
NORWOOD (Models A, B, and C)
WESTON (Master)
GENERAL ELECTRIC (DW-48, DW-68, and PR-1)
' Eliminates the sensitivity-reducing Viscor filter
PHOTO RESEARCH CORP.
127-129 W. ALAMEDA AVE. • CHarleston 0-8145
BURBANK, CALIFORNIA
EASTERN REPRESENTATIVE: CAMERA EQUIPMENT CO., 1600 BROADWAY, NEW YORK 19, N. Y.
SRECTRAL SENSITIVITY (SCHEMATIC) Of THE FH0T0 RESEARCH CORP. CELL
NEW PRC PHOTOELECTRIC CELL
Comos closer fo measuring photographic light
January, 1952
American Cinematographer
37