American cinematographer (Jan-Dec 1952)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Columbia • Henry Freulich, “Junction City,” with Charles Starrett, Smiley Burnette, and Jack Mahoney. Ray Nazarro, director. • Charles Lawton, “The Happy Time,” with Charles Boyer, Linda Christian. Richard Fleischer, director. • Joseph Walker, “Affair In Trinidad,” with Rita Hayworth and Glenn Ford. Vincent Sher¬ man, director. Independent • Karl Struss, “Limelight,” with Charles Chaplin, Claire Bloom. Charles Chaplin, pro¬ ducer-director. • James Wong Howe, “The Fighter,” with Richard Conte, Vanessa Brown. Herbert Kline, director. • Stanley Cortez, “Models, Inc..,” with How¬ ard Duff and Coleen Gray. Reginald LeBorg, director. • Russell Harlan, “The Ring,” with Lalo Rios, Rita Moreno and Gerald Mohr. Kurt Neumann, director. • Jack Russell, “Park Row,” with Gene Evans and Mary Welch. Samuel Fuller, pro¬ ducer-director. • Joseph Biroc, “Loan Shark,” with George Raft and Gail Russell. Seymour Friedman, director. M-G-M • Joseph Ruttenberg, “Because You’re Mine,” (Color) with Mario Lanza, Doretta Morrow, James Whitmore, William Campbell, Spring Byington, Eduard Franz. Alexander Hall, director. • William Mellor, “Carbine Wi'liams,” with James Stewart, Jean Hagen, and Wen¬ dell Corey. Richard Thorpe, director. • John Alton, “Mr. Congressman,” with Van Johnson, Patricia Neal and Louis Calhern. Robert Pirosh, director. • Paul C. Vogel, “Days Before Lent,” with Gig Young, Janice Rule and Keenan Wynn. Gerald Mayer, director. • William Daniels, “Pat And Mike,” with Spencer Tracy and Katherine Hepburn. George Cukor, director. • Robert Planck, “The One Piece Bathing Suit,” with Esther Williams and Victor Ma¬ ture. Mervyn LeRoy, director. • Harold Rosson, “Three Love Stories,” with Leslie Caron, Farley Granger and Ethel Barry¬ more. Vincente Minnelli, director. Monogram • Marcel LePicard, “Jet Job,” with Stanley Clements and Elena Verdugo. William Beaudine, director. • Ernest Miller, “Dead Man’s Trail,” with Johnny Mack Brown, Barbara Allen. Lewis D. Collins, director. Paramount • Daniel Fapp, “Jumping Jacks,” with Dean Martin, Jerry Lewis, Don DeFore, Robert Strauss, Richard Erdman. Norman Taurog, director. AMERICAN SOCIETY OF CINEMATOGRAPHERS FOUNDED January 8, 1919, The Ameri¬ can Society of Cinematographers is com¬ posed of the leading directors of photog¬ raphy in the Hollywood motion picture studios. Its membership also includes non¬ resident cinematographers and cinematog¬ raphers in foreign lands. Membership is by invitation only. • Officers and Board of Governors Ray Rennahan, President Fred W. Jackman, Exec. Vice-President Hal Mohr, First Vice-President Arthur Edeson, Second Vice-President Charles G. Clarke, Third Vice-President William V. Skall, Treasurer John W. Boyle, Secretary Charles Rosher, Sergeant-at-Arms Robert de Grasse George Folsey Alfred Gilks Milton Krasner Victor Milner Sol Polito Leon Shamroy Alternate Board Members Joseph Biroc Paul Eagler Sol Halprin Stanley Horsley Ernest Laszlo Ernest Miller Nicholas Musuraca Joseph Ruttenberg Walter Strenge Phil Tannura Paramount (Continued) • John F. Seitz, “Botany Bay,” (Color) with Alan Ladd, James Mason, Patricia Medina, Murray Matheson, Dorothy Patten. John Far¬ row, director. • Peverell Marley, “Mlitary Policemen,” with Bob Hope, Mickey Rooney, Marilyn Max¬ well, Eddie Mayehoff. George Marshall, di¬ rector. • Lionel Lindon, “Caribbean Gold,” (PineThomas Prod.) with John Payne and Arlene Dahl. Edward Ludwig, director. • George Barnes, “War Of The Worlds,” (Color) with Gene Barry and Ann Robinson. Byron Haskin, director. R.K.O. • Lee Garmes, “This Man Is Mine,” (WaldKrasna) with Susan Hayward and Robert Mitchum. Nicholas Ray, director. • Harry Stradi.ing, “Hans Christian Ander¬ sen,” (Samuel Goldwyn Prod.) (Color) with Danny Kaye, Farley Granger and Renee Jeanmarie. Charles Vidro, director. R.K.O. (Continued) • Charles Lang, “Sudden Fear,” (Jos. Kauff¬ man Prod.) with Joan Crawford and Bruce Bennett. David Miller, director. 20th Century Fox ® Harry Jackson, “Way Of A Gaucho,” (Shooting in Argentina, in color) with Gene Tierney, Rory Calhoun, Richard Boone. Philip Dunne, director. • Edward Cronjager, “Cry Of The Swamp,” (Color) with Jean Peters, Jeffery Hunter, Constance Smith, Walter Brennan. Jean Negulesco, director. • Lucien Ballard, “Don’t Bother To Knock,” with Richard Widmark, Marilyn Monroe, Jeanne Cagney, Lureen Tuttle, Jim Backus. Roy Baker, director. • Leo Tover, “We’re Not Married,” with David Wayne, Marilyn Monroe, Ginger Rog¬ ers, Fred Allen, Paul Douglas, Jan Sterling, Hope Emerson, Walter Brennan, Victor Moore. Edmund Goulding, director. • Joe MacDonald, “What Price Glory,” (Color) with James Cagney, Dan Dailey, Corinne Calvet, William Demarest, Walley Vernon. John Ford, director. • Milton Krasner, “Dream Boat,” with Clif¬ ton Webb, Anne Francis, George Barrows. Claude Binyon, director. • Joseph LaShelle, “Les Miserables,” with Michael Rennie, Debra Paget, Robert Newton, James Robertson Justice. Lewis Milestone, director. • Joe MacDonald, “The Full House,” (2nd Sequence) with Charles Laughton, David Wayne and Marilyn Monroe. Henry Koster, director. • Edward Cronjager, “Condor’s Nest,” (Color) with Cornel Wilde and Constance Smith. Delmer Daves, director. UniversalInternational ° Charles Boyle, “Untamed,” (Color) with Joseph Gotten and Shelly Winters. Hugo Fregonese, director. • Russell Metty, “Against All Flags,” (Color) with Errol Flynn and Maureen O'Hara. George Sherman, director. • Cliff Stine, “Almost Married,” with Tony Curtis and Piper Laurie. Douglas Sirk, director. • Maury Gertsman, “The Girl Across The Street,” with Ann Sheridan and John Lund. Joseph Pevney, director. • Irving Glassberg, “Sally And St. Ann,” with Ann Blyth, John Mclntire and Frances Bavier. Rudolph Mate, director. Warner Brothers • Sidney Hickox, “Alexander, The Big Leaguer,” with Doris Day and Ronald Reagan. Lewis Seiler, director. • Wilfrid Cline, “The Story Of Will Rog¬ ers,” with Jane Wyman and Will Rogers, Jr. Michael Curtiz, director. • Edwin DuPar, “The Miracle of Our Lady of Fatima,” with Gilbert Roland. John Brahm, director. 86 American Cinematographer February, 1952