American cinematographer (Jan-Dec 1952)
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Index To AMERICAN CINEMATOGRAPHER -1952, Vol. XXXIII
A
Academy Award Winners (for 1951 ) : 156 Adams, Clifford H. — "Documentary On Coal": 16 Allen, Leigh — "Engineered Photography For Tele¬ vision": 246
— "Filming The 'I Love Lucy' Show": 22 — "Filming 'You Bet Your Life' Television Show": 114
— "Putting The Red Skelton Show On Film": 430
— "Television Film Production": 69 Amateur's 16mm Film Promotes Annual Community Chest Drive: 490
Amateurs Who Become 'Pros': 348 American Cinematographer Award Winners 1952: 210
ASC Presents Scroll to Desilu Productions: 247 Anderson, Charles L. — "Background Projection Photography": 342
— "Electronic-Photo Recording — New TV Film¬ ing Method": 298 — "Super Telephoto": 438 And Now . . . CINERAMA: 480 'Anistration' — Streamlined Animation Technique: 340
Assignment In Germany: 526 Assignment In India: 252
B
Background Projection Photography: 342 Bell & Howell Introduces 1 6mm Magnetic RecorderProjector: 112
Biroc, Joseph, ASC — "Hollywood Launches 3-D Film Production": 336
Black, Hilda — "The Photography Is Important To Hitchcock: 525
Bolex Stereo Attachments: 258 Book Reviews: — "Cine Data Book" — Bomback: 60 — "Dynamics of the Film" — Feldman: 200 — '"Film And Its Techniques" — Spottiswoode : 60
— -"Lenses In Photography" — Kingslake: 200 — "Movies For TV" — Battison: 90 — "Not By A Long Shot" — Cussler: 200 — "Television Programming And Production" — Hubbell : 60
Boyle, John W., ASC — "And Now . . . CINE¬ RAMA": 480
Brun, Joseph, ASC — "Assignment In Germany" 526
C
Caloia, Leo — "Home Movies From Television": 168 — "Home Sound Projection Booth": 116 — "Way To Better Films, A": 75 Cameras: 204; 256; 258; 384 Camera Fill Lights: 388
Camera Heater For Cold-Weather Filming: 250 Camera Overseas: 256
Carbon Arcs For Motion Picture Set Lighting: 251; 294
Carefully Balanced Lighting Vital To Best TV Film Results: 486
Cine Citations: 100; 178
Cinematography Reviews: 194; 240; 284; 332;
380; 428; 472; 518 Cinerama: 480
Clarke, Charles G., ASC — "We Filmed 'Kangaroo' Entirely In Australia": 292 Closeups : 376; 424; 470; 516 Color: 106; 206; 384 Color Deal, New: 206
Commonsense Lighting For Indoor Movies: 28 Compact Portable Motor-Driven Developing Outfit For Movie Film, A: 249
Cricks, R. Howard R. — "Wheels That Turn Back¬ wards": 390
Current Assignments ASC Members: 44; 86; 136; 182; 226; 270; 318; 362; 406; 454; 502; 548
D
Davies, Homer — "The Four Poster": 434 "Decision Before Dawn": 62 Developing: 249 Documentary On Coal: 16
Dollies For Studio And Location Use, New: 120 DuPar, Edwin, ASC — -"WarnerColor — Newest Of Color Film Processes": 384
E
Economy Set Lighting With Cone Lights: 248
8mm : 440; 442
8mm Projector, New: 442
Electronic-Photo Recording — New TV Filming Method: 298
Engineered Photography For Television Films: 246 Equipment: 120; 214; 344
F
Facts of Light, The: 254 Filming A Winner: 302 Filming of "Viva Zapita!", The: 154
American Cinematographer
Filming The 'I Love Lucy' Show: 22 Filming The TV Dramatic Featurette: 392 Filming Travelogues In 16mm Color: 153 Filming 'You Bet Your Life' Television Show: 114 Filters In Cinematography: 296 Follow-Focus in Cinematography, The Development of,: 523
Forbes, John — "Filters In Cinematography": 296 — "How To Make Movies Tell A Story": 534 — "Magnetic Sound For Home Movies": 162 — "New 8mm Projector": 442 — "Now — Magnetic Sound For All Cine Films": 394
— "Rugged Individualism In Amateur Cinema¬ tography: 34b
— "Stereoscopic Movies With Any 16mm Camera": 72
— "Want To Step Up In Class With Your Movies?": 304
Foster, Frederick — "Assignment In India": 252 — "Camera Fill Lights": 388 — "Ten Films Nominated For Photographic Achievement Awards": 108 —"The Development of Follow-Focus in Cine¬ matography": 523
— "Variable Shutter For The Bolex H-16": 484 From Lerpae To Jackman To Chance: 538
G
Gilks, Alfred, ASC — "Some Highlights In The Film¬ ing Of 'An American In Paris' 18 Glamour For Closeups, New: 205 Goldstone, Richard — "Script Problems In Film Making": 21
H
Hajduk, E. C. — "Bell & Howell Introduces 16mm Magnetic Recorder-Projector": 112 Hariharan, N. P. — "Local Cine Cameraists Can Ease The Way For The Professional": 530 Heffernan, Leo J. — "Commonsense Lighting For Indoor Movies": 28 —"Facts Of Light, The": 254 — "How Long Should A Scene Be?": 396 — "If Your Film Needs Narration": 305 — "Is 'On The Nose' Exposure Always Desir¬ able?": 349
— "Is Your Frame Line Showing?": 488 — "Once-ln-A-Lifetime Thrill, The": 441 High-Speed Cinematography: 343 Hollywood Bulletin Board: 6; 58; 96; 146; 196;
238; 282; 330; 374; 422; 466; 514 Hollywood Launches 3-D Film Production: 336 Home Movies For Television: 168 Home Sound Projection Booth: 116 How Long Should A Scene Be?: 396 How To Make Movies Tell A Story: 534
I
If Your Film Needs Narration: 305 India Film Technicians Feted By Cinematographers: 477
Is 'On The Nose' Exposure Always Desirable?: 349 Is Your Film Line Showing?: 488
J
Jackman, Fred W., ASC — "March 1st Deadline For Contest Films": 26 Jeep Camera Crane: 344
K
Keeping Up With Photography: 8
L
Lawton, Ralph — -"Camera Heater For Cold-Weather Filming": 250
— "Jeep Camera Crane": 344 — "Shooting Goldwyn's 4-Million Dollar Movie": 290
Lenses: 438; 482
Lighting: 28; 205; 248; 251; 254; 388; 389; 486; 528
Lighting For High-Speed Motion Pictures: 389 Lighting for Overall Set Illumination, Overhead: 528
Lightman, Herb— "Decision Before Dawn": 62 — "Filming of 'Viva Zapata!', The": 154 — "Navajo": 202
— "The Thief" — A New Trend In Films?": 432 Livada, M. G. — -"Needed — A New Deal For Serious Amateurs": 212
Local Cine Cameraists Can Ease The Way For The Professional: 530
Loring, Charles — "No Formulas, No Gimmicks": 68
M
Magnetic Sound: 1 12; 158; 394; 440 Magnetic Sound For 8mm Movie Makers: 440 Magnetic Sound For Home Movies: 162
December, 1952
March 1st Is Deadline For Contest Films: 26 Method Of Handling Sound For Foreign Releases, A New: 158
Miller, Arthur, ASC — "Normal Cinematography Best For Television Films": 208 Miniatures In Motion Picture Production: 386 Mohr, Hal, ASC — "Why I Used The Garutso Lens 'n Filming 'The Four Poster' ": 482
N
"Navajo": 202
Needed — A New Deal For Serious Amateurs: 212 1951-52 Cinematography Awards: 104 1951 "Oscar" Winners: 156 No Formulas, No Gimmicks: 68 Norling, J. A. — "Stereoscopic Motion Pictures": 66; 1 1 0
Normal Cinematography Best For Television Films: 208
Now — Magnetic Sound For All Cine Films: 394
O
"Once-ln-A-Lifetime" Thrill, The": 441 Overhead Lighting for Overall Set Illumination: 528
P
Paddock, Leon — "Camera Undersea": 256 Pfening, Fred D. Jr. — "Amateur's 16mm Film
Promotes Annual Community Chest Drive": 490 Photography Is Important To Hitchcock, The: 524 Putting The Red Skelton Show On Film: 430
R
Resolving Power Test Chart, New: 1 1 1 "Reverse Action" Tricks: 118
Roe, Alvin D. — "Amateurs Who Become 'Pros'": 348
— -"Compact Portable Motor-Driven Develop¬ ing Outfit For 'Movie Film'": 249 — "India Film Technicians Feted By Cinema¬ tographers": 477
— "Stereo Movies Without Spectacles": 295 — "Tempo Puts The 'Move' In Movies": 536 Roster Of American Society Of Cinematographers:
Rowan, Arthur — " 'Anistration' — Streamlined Ani¬ mation Technique": 340 — "Filming A Winner": 302 — "Miniatures In Motion Picture Production": 386
— "New Glamour For Closeups": 205 — "Technicolor Cameras Now Ride The RO Crane": 65
— "The Steel Trap": 478
— "The Wild North" Introduces MGM's New Ansco Color System": 106 —"Westward The Women": 14 Rugged Individualism In Amateur Cinematography: 346
Ruttenberg, Joseph, ASC — "Overhead Lighting For Overall Set Illumination": 528 Ryder, Loren L., ASC — "New Method Of Handling Sound For Foreign Releases, A": 158 — "Vistascope — New Tool For Motion Picture Production, The": 338
S
Script Problems In Film Making: 21 Sellwood, Henry B. — "Carbon Arcs For Motion Picture Set Lighting": 251; 294 Send For These Booklets: 134
Shields, Dan — "TV Film Commercials For Local Sponsors" : 1 60
Shooting Goldwyn's 4-Million Dollar Movie: 290 Significance Of Recent Excise Tax Cut On Motion Picture Equipment: 24
Sisk, Robert — "What About The Cost?": 64 Sixteen Millimeter: 256; 436; 490 Some Highlights In The Filming Of "An American In Paris": 18
Special Effects: 118; 338; 342; 286 Stereo: 66; 72; 110; 204; 258; 295; 336 Stereofilm Making With The VeriVision Camera: 204
Stereo Movies Without Spectacles: 295 Stereoscopic Motion Pictures: 66; 110 Stereoscopic Movies With Any 16mm Camera: 72 Stevens, George — "From Lerpae To Jackman To Chance": 538 Super Telephoto: 438
T
Tanney, Joseph H. — "Significance Of Recent Excise Tax Cut On Motion Picture Equipment": 24 Tannura, Philip, ASC — "Carefully Balanced Light¬ ing Vital To Best TV Film Results": 486 Taylor, Chester — -"'Reverse Action' Tricks": 118 Technicolor Cameras Now Ride The RO Crane: 65 Techniques For TV Commercials: 532 Television: 22; 68; 114; 208; 246; 298; 392; 430; 532
550