American cinematographer (Jan-Dec 1963)

a lem was directly reversed. According to history, the “Bounty” sailed from England in December. 1787, during a spell of raw, overcast weather. On the very days set aside for shooting this sequence on the back lot unusually bril¬ liant sunshine prevailed. Surtees met the problem by flattening and dulling down the entire scene through lighting, to capture the true mood of the se¬ quence. The company shot early in the morning and late in the afternoon. The ground was wet down to dull it and shooting through neutral density filters effectively softened the sun-brightened colors. Lighting the sequences shot on the decks of the actual ship at sea was a constant struggle because the huge sails invariably blocked off the sunlight. Here, the action was first rehearsed with the sails furled in order to better control the ship. When it was time for a take the sails would be unfurled, completely cutting off the sunlight. Turning the ship toward the sun for better light usually meant that the wind would be blowing from the wrong di¬ rection and the sails would not billow out as they were supposed to. The ship was driven by two auxil¬ iary Caterpillar motors to augment the s 9 o a One ■ Two ■ Three PKUBLtHi This ADVANCED model overcomes the problem of matching 16mm film to 35mm. Provides a direct numerical reference between both sizes . $3750 STANDARD MODELS: Designed to edge number every foot of 16mm, i7'/jmm, 35mm films and simplify the task of checking titles and footage. The MOY VISIBLE EDGE FILM NUMBERING MACHINE replaces cue marks, perforations, messy crayons, punches and embossing — does not mutilate fiim. Both negative and positive films can be numbered. Non-rnagnefic parts do not affect magnetic film. . $2395 • Write for brochure SPECIAL 16/35/70mm Combination . $4475 CONVERSION KITS: For changing operation from 16mm to 35mm or 35, mm to 16mm . . $875 S.O.S. PHOTO-CINE-OPTICS, Inc. 602 West 52nd St., New York 19 — PLaza 7-0440 Western Branch: 6331 Holly’d Blvd., Hollywood, Calif. ->-SEE OFFERINGS OF EXTRA-SPECIAL VALUES ON PAGES 72, 74, 76, 89, and 117.-^ new! FILMLINE S-60 16/35MM NEG/POS Filmline Features: • Film chamber doors are completely removable for easy access to entire chamber (Not found in competitive models of similar class) • Processing section is stainless steel • Impingement dry box . Precision temperature controls with indicating pilot lights for cool¬ ing & heating • 316 Stainless steel pumps for developing & hypo solution . Water temperature regulator • Dual air squegee • Feed in take up elevators for continuous operation . Replenishment flow meters . Manual & automatic brake for film supply • Automatic electrical torque motor take-up • Variable drive with film speed tachometer . Precision Thermometer & footage counter. MAJOR BREAKTHROUGH The S-60 is Filmline’s newest Spray Processor. It is a friction drive processor, guaranteed not to break or scratch film. Filmline’s exclusive overdrive film transport system is so accurate it makes this guarantee possible. What’s more film can be stalled 100% in spray chambers without altering footage. Absolute control of footage in each chamber insures sensitometric quality control and consistent development. And Filmline processors (unlike competitive makes) have lower film assemblies that are adjustable and remain captive in the position placed. Position of lower assemblies can be easily monitored and adjusted by indicator rods at the top of each chamber. The S-60 is the specific answer to every labo¬ ratories need for a Spray Processor — because it outperforms machines costing twice as much. Look into the Filmline S-60 — It Will Pay You. For the full story on the S-60 write today to : Recent Filmline Installations: • N. A. S. A. Huntsville, Ala. • Reeves Sound, N. Y. C. • Thiokol Chemical Co. • WHYN-TV, KNDO-TV, WFMY-TV • Moral Rearmament IN SPRAY DEVELOPING • DEVELOPS NEGATIVE FILM AT 35 FPM • DEVELOPS POSITIVE FILM AT 60 FPM Dept. AFJ-63