American cinematographer (Jan-Dec 1963)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

BEHIND THE CAMERAS LAST MONTH Continued from Page 79 William Spencer, ASC, “Sam Benedict”*. Robert Hauser, “Combat”*. Lee Garmes, ASC, “The Lieutenant”* (pilot). MAYFLOWER STUDIOS, N. Y. Ernie Caparros, “Inside Danny Baker”* (pilot); “Ready for the People”* (pilot). NEW YORK STUDIOS George Jacobson, “Emmett Kelly Show”*. PARAMOUNT STUDIOS Daniel Lapp, ASC, “A New Kind of Love” with Paul Newman and Joanne Woodward. Melville Shavelson, producer-director. Boris Kaufman, ASC, “All the Way Home” (David Susskind Prod.; shooting in Ten¬ nessee) with Jean Simmons and Robert Preston. Alex Segal, director. Irmin Roberts, ASC, “Fun in Acapulco” (Hal Wallis Prod.) with Elvis Presley, Ursula Andes and Elsa Cardena. Mickey Moore, director. Haskell Bocgs, ASC, William Whitley, ASC, “Bonanza”*. PARAMOUNT SUNSET STUDIOS Fleet Southcott, “Gunsmoke”* PRODUCERS STUDIO, INC. Emmet Bergholz, “Death Valley Days”*. REPUBLIC STUDIOS George Diskant, ASC, “Dick Powell Show”*. REVUE STUDIOS Russell Harlan, ASC, “Man’s Favorite Sport?” (Howard Hawks-Gibraltar-Laurel Prod.; Technicolor) with Rock Hudson and Paula Prentiss. Howard Hawks, producerdirector. Ellis Thackery, ASC, “Wagon Train”*. John Russell, ASC, Lionel Lindon, ASC, “Alfred Hitchcock Presents”*. Fred Mandl, ASC, “Going My Way”*. Charles Lang, ASC, “Charade” (Stanley Donen Prod.; T’color; shooting in Paris) with Cary Grant and Audrey Hepburn. Stan¬ ley Donen, producer-director. Ray Rennahan, ASC, “Laramie”*. Jack MacKenzie, ASC, “Leave It to Beav¬ er”*. Nick Musuraca, ASC, “Jack Benny Show”*, Walter Strenge, ASC, “Wide Country”*. Clifford Stine, ASC, “The Brass Bottle” (Randall-Greshler Prod.; Eastman Color) with Tony Randall and Burl Ives. Harry Keller, director. Continued on Next Page FLASHBACK TO YESTERYEAR SAVE MONEY When Filming In Europe By Renting Your Camera Equipment From CHEVEREAU PARIS, FRANCE We Service The Entire Continent CAMERAS, including the Mitchell BFC 65mm CRANES DOLLIES 20 RUE DE LA CHINE PARIS 20, FRANCE TelS: MEN 9472, PYR 5104 Cable: Cameraloc Paris 1922— Shooting a scene for "The Merry Go Round” on a back lot exterior | at Universal Studios. Behind the Bell & Howell camera at left is William | Daniels, now President of The American Society of Cinematographers. 1 This was Daniels first major picture assignment. Production starred Mary 1 Philbin, at door, and Norma Kerry, in uniform, center. At Kerry’s right is | Director Erich Von Stroheim. Others in picture are unidentified. Following | completion of this production, both Daniels and Stroheim moved to MGM. | TMlUIlItll llllll Itllllllll 1 1 II II I IIM I llllll I II 1 1 1 1 1 II 1 1 1 II Mlllll I II I II 1 1 III II Mil IMMII1 II I M ItUUItlllMtltlfttllllHIHIttllt llllllllltlllttll lltltlf lltlltff Ml II tllllil lltlllll 111 IIIUI tlllimtlllllll nmimt II LINWOOD DUNN, asc Formerly head of RKO Studios Effects Dept. CREATIVE SPECIAL EFFECTS Complete Advisory and Technical Services From Story Ideas to Theater Screen. LIQUID GATE PRINTING FOR 16-35-65-70 MM BLOW-UPS Specialized Laboratory Services “Over 30 Years of Major Studio Experience” FILM EFFECTS of Hollywood 1153 N. Highland Ave., Hollywood 38, Calif. Phone: HO 9-5808 Cable: FILMFX L & F PORTABLE CINE PROCESSOR • Fully Automatic © Daylight Operating $675.00 (f.o.b. Chicago) 0 16mm or 8/ 8mm 0 Requires no plumbing 0 Process 200 Fl B&W Film in Less Than 1 Hour 0 Reversal Processing 0 Less Than 1 Gallon of Solution Needed 0 32"x9"x24"! 55 lbs! Write For Descriptive Literature SUPERIOR BULK FILM CO. 446-48 N. Wells 0 Chicago 10, Illinois AMERICAN CINEMATOGRAPHER, FEBRUARY, 1963 121