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BEHIND THE CAMERAS LAST MONTH
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William Spencer, ASC, “Sam Benedict”*.
Robert Hauser, “Combat”*.
Lee Garmes, ASC, “The Lieutenant”* (pilot).
MAYFLOWER STUDIOS, N. Y.
Ernie Caparros, “Inside Danny Baker”* (pilot); “Ready for the People”* (pilot).
NEW YORK STUDIOS
George Jacobson, “Emmett Kelly Show”*.
PARAMOUNT STUDIOS
Daniel Lapp, ASC, “A New Kind of Love” with Paul Newman and Joanne Woodward. Melville Shavelson, producer-director.
Boris Kaufman, ASC, “All the Way Home” (David Susskind Prod.; shooting in Ten¬ nessee) with Jean Simmons and Robert Preston. Alex Segal, director.
Irmin Roberts, ASC, “Fun in Acapulco” (Hal Wallis Prod.) with Elvis Presley, Ursula Andes and Elsa Cardena. Mickey Moore, director.
Haskell Bocgs, ASC, William Whitley, ASC, “Bonanza”*.
PARAMOUNT SUNSET STUDIOS
Fleet Southcott, “Gunsmoke”*
PRODUCERS STUDIO, INC.
Emmet Bergholz, “Death Valley Days”*.
REPUBLIC STUDIOS
George Diskant, ASC, “Dick Powell Show”*.
REVUE STUDIOS
Russell Harlan, ASC, “Man’s Favorite Sport?” (Howard Hawks-Gibraltar-Laurel Prod.; Technicolor) with Rock Hudson and Paula Prentiss. Howard Hawks, producerdirector.
Ellis Thackery, ASC, “Wagon Train”*.
John Russell, ASC, Lionel Lindon, ASC, “Alfred Hitchcock Presents”*.
Fred Mandl, ASC, “Going My Way”*.
Charles Lang, ASC, “Charade” (Stanley Donen Prod.; T’color; shooting in Paris) with Cary Grant and Audrey Hepburn. Stan¬ ley Donen, producer-director.
Ray Rennahan, ASC, “Laramie”*.
Jack MacKenzie, ASC, “Leave It to Beav¬ er”*.
Nick Musuraca, ASC, “Jack Benny Show”*,
Walter Strenge, ASC, “Wide Country”*.
Clifford Stine, ASC, “The Brass Bottle” (Randall-Greshler Prod.; Eastman Color) with Tony Randall and Burl Ives. Harry Keller, director.
Continued on Next Page
FLASHBACK TO YESTERYEAR
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1922— Shooting a scene for "The Merry Go Round” on a back lot exterior | at Universal Studios. Behind the Bell & Howell camera at left is William | Daniels, now President of The American Society of Cinematographers. 1 This was Daniels first major picture assignment. Production starred Mary 1 Philbin, at door, and Norma Kerry, in uniform, center. At Kerry’s right is | Director Erich Von Stroheim. Others in picture are unidentified. Following | completion of this production, both Daniels and Stroheim moved to MGM. |
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AMERICAN CINEMATOGRAPHER, FEBRUARY, 1963
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