American cinematographer (Jan-Dec 1963)

1 I BEHIND WHAT THE INDUSTRY’S B ERAS OTING LAST MONTH h I n s NOTE: Asterisks following titles indicate television film productions. I BUYS MILLION DOLLAR INVENTORY! Extra Savings trrfei* ¥nu? SEE ALSO ■ Ull« PAGES 140 & 144 CAMERAS 35MM AKELEY AUDIO from Paramount News with full complement of lenses and matched finders, 12V motor, 1000' magazine, single system less modulator . $1495.00 AKELEY NEWSREEL PANCAKE TYPE with 3 lenses and matched finders, 12V motor, 3 magazines, tripod. $3500 originally . $195.00 BELL & HOWELL 35MM 2709 STANDARD CAMERA with Unit I pilot pin movement, 50MM Baltar f2.3 lens. Astro 75MM f 2 . 3 lens, 2 — 1000' magazines. Excellent condition . $1995.00 BELL & HOWELL 35MM EYEMO Q complete outfit. 8 to 48 fps, spider turret, 3 lenses with filters, sunshades, motor, power cable, 2 — 400' mags., drum finder. List value over $2000 . $795.00 BELL & HOWELL 35MM EYEMO M complete out¬ fit. 8 to 48 fps, compact turret, 3 lenses with filters, sunshades, drum finder. List value over $1500 . $495.00 CINEFLEX 35MM Camera with 4 lenses — Baltar 50 & 75mm, Apogar 35mm, Seminat 6", 1 — 200' magazine, 2 — 400' magazines; 1 — 24V motor with cord; tripod and case; 2 camera cases $795.00 DEBRIE Model K with 3 lenses, 4 — 400' magazines, metal case. Direct focusing . $299.50 DEVRY NEWSREEL TYPE with 2" f3.5 focusing mount lens. Good condition . $99.50 Same, less lens . $69.50 MITCHELL STANDARD, 4 Baltar Lenses, (Focus as required), Mattebox, finder with adjustable mattes, 2-1000' magazines. 110V sync motor; standard tripod; baby legs case, Raby blimp. Excellent condition . $5995.00 WALL single system with 4 lens turret, 2 — 1000' magazines, 3 lenses, 12V DC motor, viewfinder, tachometer, counter, case, $6,580 originally. Serviceable condition . $ 995.00 Reconditioned . $1995.00 CAMERAS 1 6MM AURICON PRO 200 with mattebox sun-shade filter holder. Auto Parallax Finder, less sound, in case. Good condition . $ 395.00 AURICON PRO 200 like preceding with galvan¬ ometer and amplifier, complete . $895.00 AURICON PRO 200 with Zoom Door, Parrish con¬ version 400' Mitchell magazine. Includes Modu lite Galvanometer, NRS-24 Amplifier . $995.00 AURICON PRO 600 CAMERA Model CM-75 with Auto-parallax Viewfinder, variable density gal¬ vanometer, 3-lens turret, critical ground glass focusing, noise reduction amplifier, 2-600' maga¬ zines, lens and blimping hood, 2 microphones, extra set of tubes, camera trunk and amplifier Like new . $2995.00 BOLEX H-16 with PAN CINOR 60 zoom lens, 26MM f).9 Pizar, prismatic focusser, pistol grip. Very good condition . $249.50 CINE SPECIAL Series I, 25MM fl .9 lens, top viewfinder and case. Good condition . $395.00 LENSES FOR 35MM CAMERAS, some in Eyemo or B&H mounts, Mitchell, Debrie, Akeley mounts, some unmounted, B&L Baltars, Cooke, Zeiss Tassar. Astro, Dallmeyer, Goerz, Schneider, Kinoptic, etc. 24MM up to 20'r at 10^ on the Dollar. Send for List. Prices start at . $15.00 Continued on Pages 140 andl 44 S.O.S. PHOTO-CINE-OPTICS, Inc. 602 West 52nd St., New York 19, N.Y.— PLaza 7-0440 Western Branch: 6331 Holly d. Blvd., Hollywood, Calif. ALLIED ARTISTS Stanley Cortez, ASC, “The Long Corridor” (Leon Fromkess Prod.) with James Best. Samuel Fuller, producer-director. BIOGRAPH STUDIOS — New York George Stoetzel, ASC, “Car 54 Where are You?”* CASCADE STUDIOS Henry Freulicii, ASC, Commercials*. Roy Seawrtght, Commercials*. CBS — N.Y. Charles Mack, Leo Rossi, Rorert Clem¬ ens, “CBS Reports”*. Fred Hoffman, Mike Zingale, “Candid Camera”*. COLUMBIA STUDIOS Gil Taylor, “Doctor Strangelove: Or How I Learned to Stop Worrying and Love the Bomb” (Trooper Films; shooting in Europe) with Peter Sellers and George C. Scott. Stanley Kubrick, producer-director. Leon Shamroy, ASC, “The Cardinal" (Gamma Prod.; T’color I with Tom Tryon and Romy Schneider. Otto Preminger, pro¬ ducer-director. Stelvia Massi, “Gidget Goes to Rome” (Jerry Bresler Prod.; Eastman color; shoot¬ ing in Rome) with James Darren and Cindy Carol. Paul Wendkos, director. Charles Wei.rorn, Prank Carson, “Em • sfc pire Gordon Avil, ASC, Commercials*. Jack Marta, “Route 66”*. Robert Wycoff. “Dennis the Menace’ * ; Charles Lawton, ASC, Commercials*. Burnett Guffey, ASC, Commercials”*. Christopher Challis, “The Victors” (High¬ road Prod.; P’ Vision; shooting in England) with Vincent Edwards and Christine Kaufmann. Carl Foreman, producer-director Richard Rawlings, “Higgins”*. Fred Gately, ASC, “Hazel”* Gert Andersen, ASC, “Donna Reed Show”*. DESILU — Cahuenga Studio Henry Cronjager, “The Joey Bishop Show”*; “Trader Brown”* (pilot). Robert deGRASSE, ASC, “The Danny Thomas Show”* ; “Dick VanDyke Show”*. Maury Gertsman, ASC, “I’m Dickens — He’s Fenster”*. Sid Hickox, ASC, “The Andv Griffith Show”*. DESILU — Culver City Lothrop Worth, ASC, “The Real Mc¬ Coy’s”*. Charles Straumer, “The Untouchables”*. DESILU — Gower Glen MacWilliams, ASC, “Fare Ex¬ change”*; “Careful My Love”* (pilot). Maury Gertsman, ASC, “The Lucy Show”*. Jed Voighti.ander. “Ben Casey”*. FILMWAY STUDIOS — New York Morris Hartzband, ASC, “The Defenders”*. FOX WESTERN AVENUE James Van Trf.es, ASC, “Dobie Gillis”*. GENERAL SERVICE STUDIOS Lester Shore. ASC, “The Beverly Hill¬ billies”*. Robert Moreno, “Adventures of Ozzie & I Iarriet’*. INDEPENDENT Oswald Morris, “Ceremony” (Laurence Harvey Prod.; UA release; shooting in Spain) with Laurence Harvey and Ross Martin. Laurence Harvey, director. Joseph Biroc, ASC, “Promise Her Any¬ thing” (Noonan-Taylor Prod.) with Jayne Mansfield and Tommy Noonan. King Dono¬ van, director. Alan Stensvold, ASC, “Here’s Las Vegas” (Producers Equity Corp. ; UA release; Pathe color) with personnel of Las Vegas shows. Mitchell Leisen, director. Joseph Brun, ASC, “International Show¬ time”*. Sol Negrin, “Dorothy Killgalen Show”* (New York). William Mellor, ASC, “The Greatest Story Ever Told” (Geo. Stevens Prod., UA release; P’Vision & Cinerama in Technicol¬ or) with Max Van Sydow and Charlton Heston. George Stevens, producer-director. Joseph La Shelle, ASC, “Irma La Douce” (P’Vision & Color; Mirisch-Edward Alperson Presentation) with Jack Lemmon and Shirley MacLaine. Billy Wilder, director. Conrad Hall, “Stoney Burke”* (Daystar). Philip Lathrop, ASC, “The Pink Panther” (Edwards-Mirisch Prod.; UA release; SuperTechirama 70 & Technicolor; shooting in Rome) with David Iven and Peter Sellers. Blake Edwards, director. Joe MacDonald, ASC, “Kings of the Sun” (Mirisch Prod.; UA release; P’Vision & DeLuxe color; shooting in Mexico) with Yul Brynner and George Chakiris. J. Lee Thompson, director. Robert Krasker, “The Fall of the Roman Empire” (Samuel Bronston Prod.; Ultra P’Vision & Technicolor; shooting in Spain) with Sophia Loren and Stephen Boyd. Anthony Mann, director. LA BREA STUDIOS Bobir i Hager. ’"Perry Mason”*. M-G-M STUDIOS Jack Hildyard, “Very Important Persons” (P’Vision & Eastman color; shooting in England) with Elizabeth Taylor and Richard Burton. Anthony Asquith, director. Charles Lang, ASC, “The Wheeler Dealers” ( Filmways Prod.; P’Vision & Metrocolor) Continued on Page 183 133 AMERICAN CINEMATOGRAPHER, MARCH, 1963