American cinematographer (Jan-Dec 1963)

Record Details:

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PRODUCT REPORT COLORTRAN'S QUARTZ LIGHTS They’re extremely light weight, versatile, and require no converter. Utilizing the relatively new quartziodine lamp in a specially-engineered reflector, the Quartz-Kings provide a high volume of photographic illumination of excellent quality. /^olortran, which pioneered the first effective J use of boosted-voltage illumination for photog¬ raphy and ultimately made “ColorTran” a house¬ hold word among film makers the world over, is the first major lighting equipment manufacturer to adapt the quartz-iodine lamp to full-scale motion picture set lighting. Following extensive experiments and tests that revealed what could and could not be done with the tiny Q-I light source, ColorTran has come up with a series of lighting units that provide power FIG. 2 — ANOTHER INNOVATION introduced with the Quartz-King "Dual" is the “intensifier" accessory, shown here. It snaps on to front of the lamp housing where it gathers up spill light and concentrates it in a more effective beam of illumination. FIG. 1 — THE NEW Quartz-King "Dual" features a two-position recep¬ tacle (arrow) for the quartz-iodine lamp unit. A wide flood beam is provided with the lamp in forward position, medium flood and more concentrated illumination with the lamp in the rear position. ful controlled photographic illumination, utilizing the maximum efficiency of the Q-I unit. Much has been published in these pages in re¬ cent months regarding recently-introduced photo lights equipped with the quartz-iodine lamp — a product whose real potentials for cinematographers was not generally recognized until Sylvania placed its well-known Sun Gun on the market. Its impor¬ tance was further emphasized when, in April last year, the Academy of Motion Picture Arts and Sciences honored the Sylvania Sun Gun with a Class II Technical Award. But our report here is essentially about the new ColorTran lights that utilize the quartz-iodine illu¬ mination source. What has been stated above is merely to establish the introduction in the film industry of Q-I lamps, insofar as they promised an interesting new light source for cinematography. The first thing that ColorTran engineers discov¬ ered was that the quartz-iodine lamp required an entirely new type housing and reflector for the most effective illumination of motion picture interiors. They finally came up with a housing that not only took advantage of all the lamp’s high-intensity illu¬ mination but also effectively amplified this illumi¬ nation output as did no other lighting unit thus far designed to take Q-I lamps. ColorTran’s re¬ sulting product — the Quartz-King — found imme¬ diate acceptance among photographers who require a compact, lightweight and powerful illumination source to meet the increasing demands of on-loca ] 62 AMERICAN CINEMATOGRAPHER, MARCH, 1963