American cinematographer (Jan-Dec 1963)

Record Details:

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Lae-TV In a word that dividend is quality. The kind of quality processing your invest¬ ment deserves. Quality that has made Lab-TV the east's #1 source for re¬ versal processing. There aretwoother dividends you can count on from Lab-TV. 1. Fast Reliable Service. 2. Fair Competitive Prices. Could you want more? THE LAB FOR REVERSAL FILM 16mm BLACK & WHITE REVERSAL PRINTING & PROCESSING COLOR PRINTING OTHER SERVICES: * Work Prints • Color-to-color Prints • Color-to8&W Prints • Raw Stock • Ultrasonic Film Clean¬ ing • A & B Roll Prints • Fades-Dissolves • Timed Prints • Edge Numbering • 8mm Processing 723 Seventh Ave., New York 19, N.Y. . JU 6-2293 BEHIND WHAT THE INDUSTRY’S B ERAS OTING LAST MONTH h i n s NOTE: Asterisks following titles indicate television film productions. AMERICAN-INTERNATIONAL Mario Bava, “Black Sabbath” Galatea Prods., API, Eastman color) with Boris Karl¬ off and Mark Damon. Mario Bava, director. Manuel Berenguer, ASC, “A Cold Wind from Hell” (SWP Prod.; Pancoor, shooting in Spain) with Barry Sullivan and Martha Hyer. Sidney W. Pink, director. Floyd Crosby, ASC, “The Haunted Palace” (Color) with Vincent Price and Debra Paget. Roger Corman, producer-director. Kay Norton, “Beach Party” (NicholsonArkoff Prod., Pathe Color) with Bob Cum¬ mings and Dorothy Malone. William Asher, director. BILTMORE STUDIOS, N.Y. Andrew Laszlo, “Naked City”*. BIOGRAPH STUDIOS— New York John S. Priestly, “East Side, West Side”*. CASCADE STUDIOS Elwood Bredell, ASC, Commercials*. Tyler Byars, Commercials*. Hal Moiir, ASC, Commercials*. CBS— N.Y. Charles Mack, Leo Rossi, Robert Clem¬ ents, “CBS Reports”*. Fred Hoffman, Mike Zingale, “Candid Camera”*. COLUMBIA STUDIOS Gil Taylor, “Doctor Strangelove: Or How I Learned to Stop Worrying and Love the Bomb” (Trooper Films; shooting in Europe) with Peter Sellers and George C. Scott. Stanley Kubrick, producer-director. Leon Shamroy, ASC, “The Cardinal” (Gamma Prod.; T’color with Tom Tryon and Romy Schneider, Otto Preminger, pro¬ ducer-director. Joseph Biroc, ASC, “Under the Yum Yum Tree” (Brisson-Swift Prods., Eastman color) with Jack Lemmon and Carol Lynley. David Swift, director. Christopher Challis, “The Long Ships” (Warwick Films Prods., Technirama-Technicolor, shooting in Yugoslavia) with Richard Widmark and Sidney Poitier. Jack Cardiff, director. Gerald Hirschfield, ASC, “Fail Safe” ( Youngstein-Lumet Prod., Shooting in N.Y.) with Henry Fonda and Dan O’Herlihy. Sid¬ ney Lumet, producer-director. Gert Andersen, ASC, “Donna Reed Show”*. Robert Bronner, ASC, Commercials*. Eugene Shuftan, “Lilith” (Centaur Prods.; locations in N.Y. & Md.) Robert Rossen, director. Jack Marta, “Route 66”*. Burnett Guffey, ASC, Commercials”*. Fred Gately, ASC, “Hazel”*. Wilkie Pollard, “Siege of the Saxons” (Chas. If. Schneer Prods., T’color; shooting in London) with Janette Scott and Ronald Lewis. Nathan Juran, director. Irving Lippman, “The Three Stooges Go Around the World in a Daze” (Normandy Prods.) with the Three Stooges. Norman Maurer, producer-director. DESILU— Gower Ted Voightlander, ASC, “Ben Casey”*. Maury Gertsman, ASC, “The Lucy Show”*. Robert Planck, ASC, “My Three Sons”*. FILMWAY STUDIOS — New York Morris Hartzband, ASC, “The Defenders”*. GENERAL SERVICE STUDIOS Robert Moreno, “Adventures of Ozzie & Harriet’*. INDEPENDENT Loyal Griggs, ASC, “The Greatest Story Ever Told” (Geo. Stevens Prod., UA release; P’Vision & Cinerama in Technicolor with Max Van Sydow and Charlton Heston. George Stevens, producer-director. Conrad Hall, “Stoney Burke”* (Daystar). Joe MacDonald, ASC, “Kings of the Sun” (Mirisch Prod.; UA release; P’Vision & DeLuxe color; shooting in Mexico) with Yul Brynner and George Chakiris. J. Lee Thompson, director. Robert Kr asker, “The Fall of the Roman Empire” (Samuel Bronston Prod.; Ultra P’Vision & Technicolor; shooting in Spain) with Sophia Loren and Stephen Boyd. Anthony Mann, director. Ted Moore, “From Russia, With Love” (Eon Prods.; shooting in London) with Sean Connery and Pedro Armendariz. Terence Young, director. Linwood Dunn, ASC, “The Long Corridor” (Leon Fromkess Prod.) Special Effects. Linwood Dunn, ASC, James Gordon, ASC, “It’s A Mad, Mad, Mad, Mad, World” (Stanley-Kramer U.A. ) Special Effects. William Garronni, “John Glenn in Japan” (MAS A, shooting in Japan; color). Robert Yung, director. Richard Winik, “Sport Shorts.” William Storz, ASC, “On the Art of Ballet” (Film Productions, shooting in N.J.). Enzo Serafin, “Wounds of Hunger” (Color; Widescreen; shooting in Spain) with Rossano Brazzi and Mark Damon. Saul Swim¬ mer, director. LA BREA STUDIOS Robert Hager, “Perry Mason”*. M-G-M STUDIOS Charles Lang, ASC, “The Wheeler Dealers” (Filmways Prod.; P’Vision & Metrocolor) with Lee Remick and James Garner. Arthur Hiller, director. Dale Deverman, ASC, “The Eleventh Hour”*. George Clemens, ASC, Robert Pittack, ASC, “Twilight Zone”*. William Spencer, ASC, “The Richard Boone Show”*. Continued on Page 332 328 AMERICAN CINEMATOGRAPHER, JUNE, 1963