American cinematographer (Jan-Dec 1963)

BEHIND THE CAMERAS Continued from Page 328 Leo Tover. ASC, “Sunday in New York"’ ( Widescreen-Metrocolor; shooting in N.Y. ) with Cliff Robertson and Jane Fonda. Peter Tewksbury, director. Philip Lathrop, ASC. “Twilight of Honor” (P'Vision) with Richard Chamberlain and Nick Adams. Boris Segal, director. PARAMOUNT STUDIOS Milton Krasner, ASC, “Love with the Proper Stranger” (Pakula-Mulligan Prod.; shooting in N.Y.) with Natalie Wood and Steve McQueen. Robert Mulligan, director. Wallace Kelley, ASC, “Who’s Minding the Store?” (York-Jerry Lewis Prod.; T’color) with Jerry Lewis and Jill St. John. Frank Tashlin, director. PARAMOUNT SUNSET STUDIOS Frank Phillips, ASC, “Gunsmoke”*. PATHE STUDIOS, N.Y. Gayne Rf.scher, ASC, “The Nurses”*. PRODUCTION CENTER, N.Y. Arthur Ornitz, “Act 1” (Dore Schary Prod., Warner Bros.) with George Hamilton and Jason Robards, Jr. Dore Schary, direc¬ tor. George Stoetzel, ASC, “The Patty Duke Show”*. TWENTIETH CENTURY FOX Daniel Fapp, ASC, “Move Over, Darling” (C’Scope & Color) with Doris Day and James Garner. Michael Gordon, director. LOYAL GRIGGS, ASC Now directing the photography of “The Greatest Story Ever Told,’’ George Ste¬ vens production for United Artists. Griggs replaced William Mellor, ASC, following untimely death of latter in April. Lucien Ballard. ASC, “Take Her, She’s Mine” (C’Scope-DeLuxe color) with James Stewart and Sandra Dee. Henry Koster, pro¬ ducer-director. UNIVERSAL CITY Arthur Ibbetson, “The Chalk Garden” ( Ross-Hunter-Quota Rentals Ltd. 'Prod.; T’color; shooting in England) with Deborah Kerr and Hayley Mills. Ronald Neame, di¬ rector. Joseph LaShelle, ASC, “Monsieur Cognac” with Tony Curtis and Christine Kaufman. Michael Anderson, director. Gabor Pogany, “Dark Purpose” (BrazziBarclay-Hayutin Prod., Eastman color; shoot¬ ing in Rome) with Shirley Jones and Rossano Brazzi. Steve Barclay, director. Ellis Thackery, ASC, “Wagon Train”*, Jack MacKenzie, ASC, “Leave It to Beav¬ er”*. Russell Metty, ASC, “Captain Newman, M.D.” with Gregory Peck and Tony Curtis. David Miller, director. Lionel Lindon, ASC, “Alfred Hitchcock Presents”. Benjamin Kline, ASC, Lionel Lindon, ASC, “Kraft Mystery Theatre”*. John Russell, ASC, John Warren, ASC, “McHale’s Navy”*. Nick Musuraca, ASC, “Jack Benny Show”*. Clifford Stine, ASC, “King of the Moun¬ tain” (Eastman color) with Marlon Brando and David Niven. Ralph Levy, director. WALT DISNEY Edward Colman, ASC, “Mary Poppins” (T’Color with Julie Andrew and Dick Van Dyke. Robert Stevenson, director. WARNER BROS. Harold Lipstein, ASC, “Palm Springs Weekend” (Technicolor) with Troy Donahue and Connie Stevens. Norman Taurog, di¬ rector. Charles Lawton, ASC, “Youngblood Hawke” with James Franciscus and Suzanne Pleshette. Delmer Daves, producer-director. Burt Glennon, “77 Sunset Strip”*; “True”*. ■ >N • EXCLUSIVE • NEW • EXCLUSIVE • NEW • EXCLUSIVE * NEW • EXCLUSIVE • NEW • EXCLUS/|z & FIRST FIRST FIRST FIRST TRIPOD CRAB DOLLY inexpensive crab dolly in the U.S. market. Crab Dolly which mounts your tripod. No expensive boom arm necessary. Crab Dolly which folds up to 21" height, weighs 290 lbs., easily portable, fits in station wagons. 3-wheeled Crab Dolly — just as efficient as a 4wheeled dolly and more economical — has 3 dual wheels with 10" pneumatic tires. Width-35" Length— 48" Weight— 290 lbs. Platform Height— 18" Wheels— 10" pneumatic tires SPECIFICATIONS: Construction— Stainless Steel Seats— 2 upholstered, adjust¬ able height Push Bar— Folds down; with transmission lever for crabbing and tracking. _ AMAZINGLY LOW-PRICED at $1495 FLORMAN & BABB, INC. 68 WEST 45th STREET, NEW YORK 36, N. Y. . MU 2-2928 4lSm0X3 • M3N • 3AISm0X3 • M3N • 3AISfnOX3 • M3N • 3AISmDX3 • M3N • 3AISmDX3 r 332 AMERICAN CINEMATOGRAPHER, JUNE, 1963