American cinematographer (Jan-Dec 1963)

MITCHELL Mark II Reflex Mark II Reflex Camera 16mm Mitchell — j" PROFESSIONAL l&gaM Hi-Speed & Studio Camera 65mm Mitchell Studio BFC and 35mm BNC 35mrh Mitchell NC and Standard Hi-speed Cameras Advanced thinking . . . produces timeless designs. This proven Mitchell philoso¬ phy now expresses itself in the Reflex. The Mark II is only the first of a series of Reflex cameras for both the 35 and 16mm fields. “Reflex” or “Rack-Over” . . . there is a Mitchell camera for your application. For superior camera maintenance, reconditioned camera equipment, new project developments or new Mitchell camera information, write on your letterhead to Sales Department. MITCHELL CAMERA CORPORATION 666 W. HARVARD STREET • GLENDALE, CALIF. NOW REPRESENTED IN OVER 45 COUNTRIES THROUGHOUT THE WORLD. AGENTS IN YOUR COUNTRY ON REQUEST. ERAS WHAT THE INDUSTRY’S NG LAST MONTH NOTE: Asterisks following titles indicate television film productions. AMERICAN-INTERNATIONAL Manuel Berenguer, ASC, “A Cold Wind from Hell” (SWP Prod.; Pancoor, shooting in Spain) with Barry Sullivan and Martha Hyer. Sidney W. Pink, director. Kay Norton, “Beach Party” (NicholsonArkoff Prod., Patlie Color) with Bob Cum¬ mings and Dorothy Malone. William Asher, director. ALLIED ARTISTS Joseph Biroc, ASC, “Gunfight at Comanche Creek” (C’Scope & Color) with Audie Mur¬ phy and Colleen Miller. Frank McDonald, director. BILTMORE STUDIOS, N.Y. Andrew Laszlo, “Naked City”*. BIOGRAPH STUDIOS' — New York John S. Priestly, “East Side, West Side”*. CASCADE STUDIOS Elwood Bredell, ASC, Commercials*. Tyler Byars, Commercials*. Hal Mohr, ASC, Commercials*. Winton Hoch, ASC, Commercials*. CBS — N.Y. Charles Mack, Leo Rossi, Robert Clem¬ ents, “CBS Reports”*. Fred Hoffman, Mike Zingale, “Candid Camera”*. COLUMBIA STUDIOS Gil Taylor, “Doctor Strangelove: Or How I Learned to Stop Worrying and Love the Bomb” (Trooper Films; shooting in Europe) with Peter Sellers and George C. Scott. Stanley Kubrick, producer-director. Christopher Challis, “The Long Ships” (Warwick Films Prods., Technirama-Technicolor, shooting in Yugoslavia) with Richard Widmark and Sidney Poitier. Jack Cardiff, director. Gerald Hirschfield, ASC, “Fail Safe” (Youngstein-Lumet Prod., Shooting in N.Y.) with Henry Fonda and Dan O’Herlihy. Sid¬ ney Lumet, producer-director. Gert Andersen, ASC, “Donna Reed Show”*. Eugen Shuftan, “Lilith” (Centaur Ents. Inc.) with Warren Beatty and Jean Seberg. Robert Rossen, producer-director. Charles Lawton, ASC, Commercials*. Robert Wycoff, Commercials*. Robert Bronner, ASC, Commercials*. Burnett Guffey, ASC, Commercials”*. Fred Gately, ASC, “Hazel”*. Wilkie Cooper, “Siege of the Saxons” (Chas. H. Schneer Prods., T’color; shooting in London) with Janette Scott and Ronald Lewis. Nathan Juran, director. Irving Lippman, “The Three Stooges Go Around the World in a Daze” (Normandy Prods.) with the Three Stooges. Norman Maurer, producer-director. DESILU — Cahuenga Henry Cronjager, “The Joey Bishop Show”*. DESILU — Gower Ted Voightlander, ASC, “Ben Casey”*. Maury Gertsman, ASC, “The Lucy Show”*. Robert Planck, ASC, “My Three Sons”*. Robert Hauser, ASC, “The Breaking Point”*. FILMWAY STUDIOS — New York Morris Hartzband, ASC, “The Defenders”*. GOLDWYN STUDIOS Lloyd Ahern, ASC, “The Fugitive”*. INDEPENDENT Loyal Griggs, ASC, “The Greatest Story Ever Told” (Geo. Stevens Prod., UA release; P’Vision & Cinerama in Technicolor with Max Van Sydow and Charlton Heston. George Stevens, producer-director. Robert Krasker, “The Fall of the Roman Empire” (Samuel Bronston Prod.; Ultra P’Vision & Technicolor; shooting in Spain) with Sophia Loren and Stephen Boyd. Anthony Mann, director. Ted Moore, “From Russia, With Love” (Eon Prods.; shooting in London) with Sean Connery and Pedro Armendariz. Terence Young, director. Lin wood Dunn, ASC, “The Long Corridor” (Leon Fromkess Prod.) Special Effects. Lin wood Dunn, ASC, James Gordon, ASC, “It’s A Mad, Mad, Mad, Mad, World” (Stanley-Kramer U.A.) Special Effects. Richard Winik, “Sport Shorts.” William Storz, ASC, “On the Art of Ballet” (Film Productions, shooting in N.J.). Enzo Serafin, “Wounds of Hunger” (Color; Widescreen; shooting in Spain) with Rossano Brazzi and Mark Damon. Saul Swim¬ mer, director. Irv Phillips, “The Creeping Terror” (Met¬ ropolitan Int’l Pictures) with Vic Savage and Shannon O’Neil. A. J. Nelson, producerdirector. Harold Rosson, ASC, “Music at Midnight” (MRA Films; shooting on Mackinac Island, Mich.) with Martin Landau and Nora Swinbourne. Lewis Allen, producer-director. M-G-M STUDIOS Dale Deverman, ASC, “The Eleventh Hour”*. George Clemens, ASC, Robert Pittack, ASC, “Twilight Zone”*. William Spencer, ASC, “The Richard Boone Show”*. Leo Tover, ASC, “Sunday in New York” ( Widescreen-Metrocolor; shooting in N.Y.) with Cliff Robertson and Jane Fonda. Peter Tewksbury, director. Continued on Page 423 3S4 AMERICAN CINEMATOGRAPHER, JULY, 1963