American cinematographer (Jan-Dec 1963)
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Photography Of Hud,' Jul. 408. Photographing "It's A Mad, Mad, Mad, Mad World,’’ Dec. 704.
Photographing Mutiny On The Bounty," Feb. 90.
Planning — Key To Better, More Profitable Com mercial Films, Jan. 34.
Pocket-Size" Camera Dolly, May 286. Product Reports (EK Sound Tapes, Zoom Lens Correlator, Sylvania's Lighting System, and New Eclair 16mm Camera), Oct. 598. Pseudo Ultra-slow Motion At 64 fps, Nov. 642. — Q —
Quantity Dupes From 8mm Originals, Apr. 226.
— R—
Red Runs The River," Photography Of Aug. 472.
Remote Controlled Camera, Oct. 596 Report From Cologne, Jun. 346.
Report On 8mm, Apr. 224.
Rewarding Assignment, Oct. 594.
Ron Cue!, Jan. 342.
Seven Days In May," Photography Of, Oc* 586.
Shoot 16mm Film As 16mm, Dec. 710. Shooting From The Air, Dec. 708.
Shooting "International Showtime In Color, May 288.
Shooting Under Cover With Available Light, Aug. 466.
16mm Camera Films, Dec. 710.
1 6mm Printing Leaders, The Preparation Of, Jun. 347.
Skydiver Cinematographers, Oct. 588.
Some Aspects Of Photographing Films For Television, May 278.
Space Cameras Ride A Missile, Feb. 102. Special Effects — Wizardry In, Apr. 219. Sync-signal System For Lip-Sync Recording, Aug. 470.
TV News Film — New Role For 8mm, Apr. 227. Tape Recorder Set-up For Mixing Music and Narration, Aug. 464.
Ten Best Photographed Films Of 1962, Mar. 156.
The Air Force's -Eire Brigade' Cameramen, Feb. 104.
The Balcony" — Cinematic Illusion Wihout Confusion, May 274.
The Creative Film Editor, Nov. 644.
"The Defenders,” Photography Of, Jul. 400. "The Great Escape,” Photography Of, Jun. 336.
The Producers Service House — Vital Aid To Film Makers, May 276.
The Pros Show The Students How, Feb. 93. "The Virginian" — Ninety Minutes In Color. Feb. 99.
Their Problem Hinged On Lack Of A Dolly, Mar. 170.
35mm Color Film For Television, Nov. 660.
To Be Convincing It Must Be Realistic, Mar. 166.
Training-Films For Fire Fighters, Mar. 154. Traveling Matte Photography And The BlueScreen System, Part I, Oct. 590. (Part II Appears in Jan. 1963, issue).
— V —
Variable-Beam QuartzIodine Photo Lamp, Sept. 537.
— W —
When The Army Has Shooting To Do, (Part I) June 348, Part II, Jul. 390.
Wide-screen Films And Television, Jun. 350. Wizardry In Special Effects, Apr. 218. Wonderful World Of Golf," Filming, Feb. 96. — Z —
Zoom Lens Technique, Jan. 28.
INDEX BY AUTHORS A
Allen, Bob
— Filming The Birth Of An Elephant,
Jul. 406.
— Shooting Undercover With Available Light,
Aug. 466.
— New Life For Old Commercials, Sept. 534. — Designing and Producing The Credit Titles for "Its A Mad, Mad, Mad, Mad World," Dec. 706.
B
Barsha, Leon
— The Creative Film Editor, Nov. 544.
Beyer, Walter
— Wide Screen Films And Television, June, 350.
Bodger, Lowell
— Double-Frame 8MM, Apr. 225.
Bronson, Jerry
— Skydiver Cinematographers, Oct. 588.
C
Carter, James
— "The Virginian" . . . Ninety Minutes In Color, Feb. 99.
Chaney, Lee
— Nine Guides To Good Narration, Nov. 654.
Cook, Frederick
— Training Films for Fire Fighters, Mar. 154.
F
Fladd Jr., Phil J.
— Hitch-Hike Sync, June, 340.
Foster, Frederick
— Planning — Key to Better, More Profitable Commercial Films, Jan. 34.
— -To Be Convincing It Must Be Realistic, Mar. 1 66.
Fredericks, Ellsworth, ASC
— Seven Days In May, Photography of, Oct. 586.
G
Garin, Warren
— Shooting From The Air, Dec. 708.
Gavin, Arthur
— 10 Best Photographed Films of 1962, Mar. 156.
— Filling The Great Escape," June 336.
— Photographing "Cleopatra," Jul. 396. Graham, Arthur
— Zoom Lens Technique, Jan. 28.
H
Harrington, Clifford V.
— Filming in Asia for American TV, Jan. 26. — The Pros Show the Students How, Feb. 93. Harrison, Bob
— Battle Scenes And Model Shots, Aug. 472. Henry, Joseph
— The Mitchell Mark II Reflex, Jan. 36.
— Their Problem Hinged On Lack of a Dolly, Mar. 170.
— Shooting "International Showtime" 16mm Color, May 303.
— Panorama Movies, Dec. 714.
Hirschfleld, Leonard
— "David And Lisa" — A Photographic Chal¬ lenge, Juh 404.
K
Koebner, Hans
— Report From Cologne, June 346.
Landen,. Gustav E.
— Roll Cue, June 342.
LeRoy, Mervyn
— Make Way For Youth, Feb. 92.
Lightman, Herb A.
— Fitting Phe Camera to the Job, Jan. 32. — The Air Force's Fire Brigade" Cameramen, Feb. 104.
— Lookout Mountain . . . Filming Center of APCS, Apr. 220.
— The Balcony’ — Cinematic Illusion With¬ out Confusion, May 274.
— The Photography of Hud," Jul. 408.
— Sync-signal System For Lip-sync Record¬ ing, &ug. 470.
—Remote Controlled Camera, Oct. 596.
— Filming Lilies of the Field,' Nov. 640.
M
MacLennan, James
— Rewarding Assignment, ©cf. 594.
Continued
26 YEARS OF QUALITY
REVERSAL
PROCESSING
• Specialists in high speed or standard reversal processing
• Security clearance
• Free Vacuumating
• Films returned same day
• Customer extra service: Special prices on Eastman & do Pont Reversal Film
Area Code 301 — 422-4333
NATIONAL CINE LABORATORIES
WASHINGTON 17. D. C.
PROFESSIONAL FILM PROCESSORS
with the famous Micro-Tension Drive
METAL
MASTERS
5599 University Ave.,
San Diego 5, Calif.
IS
COVERED
BY
ASIA
FARMS FILM COMPANY
424 II P0 CHUN BUILDING HONG KONG
COMPLETE 16/MM & 35/MM PRODUCTION FACILITIES
AMERICAN CINEMATOGRAPHER. DECEMBER. 1963
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