Boxoffice (Oct-Dec 1963)

"My luscious dish of a daughter! Every delicious delinquent inch of her is designed to drive her father (that's me) nuts! She discovers 'causes.'.. and She becomes a beatnik... kand I become page one news. She studies art in Paris, and who are the gendarmes after me! One of her is enough. But there arejusttoo many boys in this world !' JAMES STEWART SANDRA DEE "TAKE HER, SHE’S MINE” and 40 seconds of film. Although 1 arrive at noon, the rest of the company has been at it from 7:00 A.M., and we frequently do not finish shooting until after seven at night. Because we have to tell a co: story in less than ao h cal sequene He had just come througn ms oral, examination with flying said, because the gram had h i problei aminati tion bl msedhis ireful ident rthe illthe proper course Who says we are not ia&' L edrionl_ efore all affe are abandone (by this accurat half our air time, are mercifully br a flick of the s with the rest While an a takes almost' ough, Consci Leave-No-Ston edicate rned Dr. Ki dare is limited to a token gesture peering into one eye or giving wrt squeeze of the blood-pressure cuff before pronouncing that a patient has three hours, five minutes, and twenty-seven seconds to live Fortunately, most of my act doctors are apt pupil their medical dialog comprehensible to they manage ver Chamberlain is no ternal cardiac m waiting for the day he fin in a real-life situation first aid. He'll l^^uper of the confident the have in him— iMless it1 girl, who will Jps£®pt< sheer joy This is pr confess member of of Richar of all a that he M as nice off th he appears on it^ unfailingly n my clinic are pretty since the university any patients who to find help elseifficult, often incurqble^ns. In contrast, iding the crest of sPSson, are full of high When the camera is turning, a" businesslike attitude prevails; but between scenes, some elaborate gags are cooked up. For example, Ray Massey has had learn to check his Rolls-Royce carefully, to be sure no signs have been attached by some wag on the crew. One day, the elegant car bore a laroH -nferarH stating “Student another time, Ray’s li4®*had been replaced with saying “Horseless Car Occasional one of the better afanki^nds its way onto film, e early in the series when walked into Dr. ce, onlytp find AbraLincoln seatgg|pWm|fc1d the consiMation^desk.JKJEbeknownst to the Kjj£u e>*ktev Massey had has ac^lTO from my a Rinfamt I find t are easier now, jfe quickly gain me luctant teen-age girls. Previously®" they d|R'd to drag their feet asjthey were ushered into my office; fret they can't resist me now. After all. they are going to be examined by Dr. Kildare's doctor! In the children's clinic ally stumble over tion room. At Kildar is cables. The entirj trapped with cables grab me around th constrictors whe Failure to negi result in knock, or demolishing the which hardly ende rector. I 1 1 1 1 i m>HT i peculiar gait best des, hopping. 'f. The occasion had been ignored until Richard aWRay Massey were COLOR BY DE LUXE Another countered is the S, reverence )t Watch for it at vour favorite theatre ! 'nWer enledical world r(to be uttered with We can’t mention the word “cancer” in our dialogue, because of a cigarette sponsor; nor can he rd ks to the erjf i i^n^Yiey slowly turned to w Wieir profiles and said in uniAnd she_4.hinksjft/ie has probwere Equipped with Pinoafhio-type noses, idele*by the makeup celebrated Richerlain’s birthday on the & consulting at the bedside of a coma tose child. Instead of the nurse who uled to make an enked the property man nurse, wearing a mop was bearing an elabpSbkage and a light*^-resting elegantly le the entire crew around to sing “Happy ’s most populVr ’s highest p/id r.' Kildar^ proudly Jun■w'fT his luft./L) ,-^yo ce a °en Casj^ f.-A J ^ W#< ff #^Ws|^egan my JtV career ged home exhausted and plaifiing after a long day on the set, mf husband asked me why I didn’t give up the job. Now I know why. I find I am like the man in the old studio joke who washed the elephants in the circus. After he complained nightly to his wife about the elephants’ stepping on him, splashing "Pops is a darling but also a square. He gets into so many scrapes, he's practically an adult delinquent. Like with those gendarmes in a Paris dive... or his strip-down dive into the Seme. Orthetime j£% the cops * had to hustle him , . fy off the Y\ campus.^ 1 *" “ He says its all my fault... but can I help it if I love life, and the boys love me r 20lh Century-Foi presents "TAKE HER, SHE’S MINE” co starring AUDREY ROBERT PHILIPPE JOHN MEADOWS MORLEY FOROUET McGIVER Produced and Directed br HENRY ROSIER / Based on the plat br Screenplay by NUNNALLY JOHNSON / PH0E8E and HENRY EPHRON Produced on the stage by HAROLD S PRINCE / A CINEMASCOPE PICTURE Printed in U S A.