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HOLLYWOOD MOVIES
7
to the theatre-attending public, a good lover.
His charming French accent which his directors insist he must keep — his square shoulders, manly stride, fine hands and bright eyes would not alone carry him to the success which an American public has
This rough, attractiveness of his is well set off when he maintains his gentleness of manner, his unobtrusiveness, and yet manifests his eagerness in the boudoir scene in “The Love Parade.”
It is the type of loving that women admire; he represents the lover many of us seek — a strong, virile type with fine, white teeth; evidently a “husky” in every sense of the word — and yet possessing a rich, interesting voice and suave manners that ever speak of consideration for the so-called “weaker sex.” Strength and clean passion enclosed in delicacy and consideration.
Immediately prior to the final conquest the “talkies” made
of the realms of the exhibitors there was a star,
accorded him.
And, after all, as my guess is as good as yours, I’m going to put mine in writing.
Jeanette MacDonald was an excellent foil for the great Chevalier; her obvious refinement and culture; her splendidly trained voice; her regal carriage, and, best of all, her classic beauty; all of this contributed to his success as a well known lover of the “mcvies.” Chevalier is a sort of French Victor MacLaeglen; his teeth; lower lip; smile; and mannerisms. Of his voice — well, poor Victor — we’ve heard him try to sing. Doubtless he boxes better than Maurice.
But he has that masculine “punch” in his acting; a swagger and a confidence that is not snobbish nor braggadocio .
Valee and Sally Blane in a love scene.