Business screen magazine (1946)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

North American Philips introduces PIP". . . the new Noreico audio and visual cassette system The art ol cuDunuications lias just advanced into a new era of versatility. The PIP era. To put it simply, the PIP system eombines all the advantages of communicatini; with still frames, motion, animation and sound in a \in!^lc proH'cliKH unit. \ his is accomplished by: 1 ) a technical breakthrough called variable s/H-fil pnijcciinn and 2) by using separate sound and Super 8 film cassettes. Now, with IMP, the spt)ken woid can be illiistiatcd on the screen in its most effective way without being restricted to a single medium. And it is now also practical for one film to be targeted to a variety of different audience interests — by language, by subject, by prior knowledge, by time limitations, etc. All of this with the ease of inserting a cassette. Tlic PIP system works with childlike simplicity. In fact, the film and the sound cassettes snap into the PIP unit as quickly as popping two slices of bread into a toaster. Hands never touch the film or the sound tape. There's no threading, attaching film to reels, or anything to fumble with and damage. It has pushbutti>ns for starting, stopping, fast-forward or rewind, going back a few frames or holding a frame for as long as a view-er wants. Sounds inteiesling, doesn't il? But what about costs? And where docs j fit into your present audio-visur applications? If you've been u.sin(> slides aiul liint strips for training, selling, dcmor. strating. etc. — now you can afford t: add motion lo the presentation. Nu only will this enhance the "shovl manship" of the presentation, but is extremely functional. i Tor example, in a fiimvtrip fc' training a mechanic, a motion st quencc showing the intricate movt ment of parts can be included. Or i a sliilc presentation on fire prevct tion, a sequence showing how rap idly a fire spreads can be included. J The motion helps make the prcs enlation clearer, more memorabl . . . yet doesn't have the productic* involvement of a full scale nuuio picture. You now can use motio only where it serves the purj^ose t J.