Business screen magazine (1946)

DotiLtbe a slave toyour Filmstrip Negative Shooting the master negative is all important. If it isn't done well, you'll be a slave to it forever! A poor master negative means poor release prints. Give us your originals, transparent or opaque, light or dark. It really doesn't matter. When we finish your negative, no one will be able to tell the difference. Shooting masters is our specialty! We've been doing it for over 20 years. That's a lot of know-how. All with one purpose. To shoot the very best filmstrip masters . . . so that you can have release prints that you'll be proud to say are yours. Why take chances! Call Berkey Manhattan. We'll be happy to discuss your shooting needs, time requirements and costs. No obligation, of course, Berkey Manhattan FILMSTRIP & SLIDE LABORATORIES V?7EASr44THST *Nr,Nr lOOW l?1>| MI-SWO Barkcy ^ camera eye ">m/>iiw the producer's sicwpoini as well? Ko duk Mill miss his sage cuiinscl, his fervent enthusiasm and foresight. But the field regains a dedicated filmmaker as John Flory returns lo his lifewiirk with new /esi and the eneouragemenl and ulnuisl goodwill of all ot us who have known and respcelei.1 hull through these nianv vears. "Museums Without Walls" Series of Art Films Merits Our Applause \N'e eheereil liisliK ulun uc lie.iul that a long-awaited dream of great film achievement had lighted the screens of dozens of universities and museums last month. The premieres on October 25. birthday of Pablo Ruiz Picasso, of the first of a really important new scries of films for beiti.'r understanding of art and artists, opened a new era lor the film medium. We salute Universal 1-Iducational and Visual Arts Division for the eleven films inaugrated with Picussu: War. Fcucc iiiut Love. This series portends to be the first of Universal's program of examining the arts and is well labeled ■Museums Without Walls," The creators and their cameras have brought widely-scattered collections from several continents into a single focal dimension. Lucien C'lergue directed the Picasso film, imposing iniages to show us the changing artist, from youth to matuniy. A fine realist turns to compi.A forms as the viewer lool a single day's output of ihi. p Picasso is glimpsed as drawin:;s f| on the screen from a smgl work. TTie telecast Loii\ri\ with coi tary by Boyer. gave us an e.xamg the film's capacity to show an could ever sec it. This s.-rics. Irom Picasso to the works of C. to Gioiio. to The liuprcssionni% l.tr out to the mood and lempcl (jcrinany-Datla. has the bcni sound commentary by art h Douglas Cooper. These are hour-long films, c: them. They must, of necessity, profirain events and will begin t American showings at art museih university auditoriums and the It is the privilege, unless Uni rejects a good idea, of any cultii community-minded corporation, h or public-spirited citizen to spo showings if the occasion aris us say that such sponsorship, v in New 'York, St. Louis or else' would be a great privilege for the viewers and any who help mal possible. You can get all the details a "Museums Without Walls" scr Universal's Educational and Vi Arts Division in New York Cit AUDIO /VISUAL Triple Play CASSETTE / SLIDE FILMSTRIP m V ALL NEW SYNCHROMATIC AV2200 We've put this three-way combination all together in a compact audio/ visual programming center that quietly and automatically synchronizes your 35mm slides and double frame filmstrips with the sound of cassettes. With the AV2200 you can record and sync-pulse your own program or play pre-recorded cassettes ... all with instantaneous playback. There has never been anything like it for training, sales ^_ promotion or learning programs. It's built right, simple to ▼v operate and extraordinarily versatile. The AV2200 is all wrapped up in an incredibly portable attache case that includes its own lights-on super size rear screen for group or individual viewing. With Synchromatic AV2200 ... a triple play is an everyday affair! Write for full details. T.(^. VISUAL INDUSTRIES INC., 25 W. 45th St., NYC 10036 46 BUSINESS SCf