Cine-mundial (1916)

Record Details:

Title:
Cine-mundial
Date:
1916
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1916)
Leaf #:
00020
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Spanish Publications, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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CINE MUNDIAL MLLE. GERALDINE FARRAR EN “CARMEN” La eminente cantante de ópera, cuya “Carmen” ha sido una de las más discutidas en Europa y América, acaba de obtener un ruidoso triunfo cinematográfico. La Compañía Lasky, que produjo la obra con Mlle. Farrar en su papel favorito, no ha escatimado gasto en la representación. El éxito no sólo ha sido artístico, sino de taquilla. Tanto en Nueva York como en las demás ciudades de los Estados Unidos donde se exhibe la película, los teatros están llenos de bote en bote día y noche. Enero, 1916. E E PÁGINA 8