Cine-mundial (1916)

Record Details:

Title:
Cine-mundial
Date:
1916
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1916)
Leaf #:
000283
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Hollywood Studio System, Global Cinema, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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Jeto, 1916 CINE-MUNDIAL Paciná 271 BLUEBIRD Photo Plays (inc) LAS MAS HERMOSAS PRODUCCIONES CINEMATOGRAFICAS DEL MUNDO ARTISTAS DE PRIMERA CLASE EN FOTODRAMAS ADAPTADOS DE LAS MEJORES OBRAS Y MÁS CÉLEBRES OPERAS EN LA CONFECCIÓN DE ESTAS PELÍCULAS SE HAN INVERTIDO SUMAS ENORMES A continuación insertamos lista de las últimas producciones : Sara Bernhardt en “ Jeanne Dore.” Helen Ware en “ Amor Secreto.” Ida Schnall en “Ondina.” Lois Weber y Phillips Smalley en “ El Paraíso Artificial.” Carter De Haven en “Un Robo y un Idilio.” Louise Lovely en “La Garra de los Celos.” < Mai i Mary Fuller en “ El Poder de los Débiles,” —_—_—__—_—__—_—_—_—_—__—_—_—_——— “Los Yaquis.” Universal Film Manufacturing Co., 206 Roxas Bldg., z María Walcamp e La Coqueta. h Manila, P. I. Louise Lovely en ‘ Celos Mal Fundados. Universal Film Manufacturing Co., Neptuno No. 4, Tyrone Power en Fatal Parecido. f: Habana, Cuba. Violet Mersereau en “Un Gran Problema. Universal Film Manufacturing Co., Calle Tetuan No. 6%, J. Warren Kerrigan en “La Tragedia de San Juan, P. R. Lord Waring.” Agencia Cinematographica Unıversal, 25 Rua Treze de Maio, Rio de Janeiro, Brasil. Sociedad Cinematográfica Sudamericana, Alsina 1374, Buenos Aires, Argentina. Zimmermann & Compañía, Lima, Perú. nn