Cine-mundial (1917)

Page scan 000170 from Cine-mundial

Record Details:

Title:
Cine-mundial
Date:
1917
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1917)
Leaf #:
000170
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Hollywood Studio System, and Spanish Publications
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
June 20, 2024
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ABRIL, 1917 CINE-MUNDIAL PÁcINA 156 La Vida de Cristóbal Colón e rr E y su Descu brimiento de América CHARLES JEAN DROSSNER, Editada por GERARD BOURGEOIS Autor y propietario de la E película. Director artístico y de escena. Charles Jean Drossner Rambla Canaletas 2 Barcelona 10 Rue Philibert Delorme París COLON ANTE LOS REYES CATOLICOS. El navegante genovés expone su proyecto de descubrimiento a los soberanos de España en presencia de toda la corte. La utilería es auténtica. EL ATAQUE A CRISTOBAL COLON. Pedro Margarit quejándose contra el nave gante en la cámara del cardenal Fonseca. Tanto ésta como las demás escenas sorprenden por su realismo. Menciónese esta revista al dirigirse a anunciantes.