Cine-mundial (1944)

Record Details:

Title:
Cine-mundial
Date:
1944
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1944)
Leaf #:
00066
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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A la derecha, Ann Sheridan, estrella de Warner, con un vestido de crespón, falda ajustada y que se pliega por la cadera, sin cola pero arrastrando; y cuyo corpiño se adorna con un lazo de cuentas de vidrio bordadas en torno del escote sobre crespón gris. Las mangas son largas y estrechísimas. CGACACECELCE LILLO: ACES | i i t MODELOS de Hollywood Por Selmande Arriba, Loretta Young, astro de la Universal, en traje de etiqueta y de atrevida originalidad. Sobre un fondo de rojo obscuro, sobresalen las flores estampadas y de tono "chartreuse". La falda, de elegantes pliegues, sube hasta el ajustado corpiño que cubre uno solo de los hombros, dejando desnudo el otro y dejando así el escote en sesgo. Arriba, Frances Gifford, artista de M-G-M, con uno de los trajes de entretiempo que dan la nota de popularidad: | chaqueta clara y falda obscura. Esta | última, por negra, puede llevarse con | blusas o chaquetas de cualquier tono. | En este caso, la chaqueta es achocola| tada y adornada con fleco y borlas ne gras por los hombros. El sombrero es del mismo matiz y con una pluma como | adorno. Por la derecha, la propia Loretta Young, que se luce en películas de la Universal, con un modelito de entretiempo. Es de crespón negro—la tela de moda — con estampados de verde pálido en forma de flores silvestres. Minúsculos botoncitos cierran por delante el corpiño ajustado, entre talle y escote. El sombrero es de paja verde en el ala y copa negra. AA Cine-Mundial. Entered as second-class matter October 7, 1920, at the Post Office; New York, under the Act of March 3rd, 1879. Issue dated March, 1944. | Vol. XXIX, No. 3. Published monthly by Chalmers Publishing Co., 516 Fifth Ave., New York. Subscription price: $2.00 for one year. Printed in U. S. A. Copyright 1944 by Chalmers Publishing Co. “|