Cine-mundial (1946)

Record Details:

Title:
Cine-mundial
Date:
1946
Publisher:
Nueva York, Chalmers publishing company
Volume:
Cine-mundial (1946)
Leaf #:
00034
Language:
Spanish
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Spanish Publications, Global Cinema, and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Description (English): Cine-Mundial, the Spanish-language version of Moving Picture World, was published between 1916 and 1948. The magazine documents Hollywood’s growing dominance in Latin American markets in the 1920s and the emergence of national film industries, such as those of Mexico and Argentina after the introduction of sound film. Far from being a mere translation of its English-language counterpart, Cine-Mundial focused on issues that were important to its readers in Latin American and Spain—the representation of Latin Americans on screen, the geo-politics of film distribution, and Hollywood’s short foray into Spanish-language film production in the late 1920 and early 1930s. Functioning as both trade publication and fan magazine, its regular columns that featured reports from national correspondents and letters from readers from every corner of the Spanish-speaking world provides invaluable insight into Latin American audiences and their reception of both imported and nationally or regionally produced films. -- Laura Isabel Serna, 2013
Date Added:
August 29, 2022
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Esta fotografia es un contrasentido. Figúrense Uds. que es a Van Johnson a quien el director Charles Martin está enseñando a abra zar a una joven. La abrazada es Pat Kirkwood. La escena, de "Sargento al agua" en el taller de Metro. La vendedora de cigarrillos más popular de Hollywood, Bárbara Powers, preparándose para debutar en el cine. En el taller de Paramount, Peggy Thomson le arregla el pelo. Lo demás no exige mejoras. Greer Garson, la deslumbradora estrella de Metro, encamada la pobre, después de escapar de la muerte cuando se iba a ahogar. La contempla encantado Vicente Sollecito, que fué quien la rescató del seno de las aguas. Otros dos pares de pantorrillas (esta página está generosa). Son, de izquierda a derecha, las de Vera Zorina y Lucille Ball. Ambas beldades participan en la interpretación de “Nadie como tu’, de la Universal.