The Cine Technician (1953-1956)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

March-April, 1953 THE CINE-TECHNICIAN 35 ONE'S' COMPLETE GUIDE to BRITISH FILM MAKERS COME BACK PETER Year of Production: 1951. Studio: Braywick Studios. Laboratory: Geo. Humphries. Producing Company: Present Day Productions. Producer: Charles Reynolds. Stars: Patrick Holt, Peter Hammond, Kathleen Boutall. Director: Charles Saunders. Scenarists : A. P. Dearsley, Charles Saunders. Camera Department : Lighting Cameraman, Edward Lloyd; Camera Operator, L. Harris; 1st Asst. Camera (Focus), Ronald Maasz; Other Camera Assistant, Alex Thomson. Sound Department: Recordist (Mixer), Ben Brightwell; Sound Camera Operator, Eric Vincent ; Boom Operator, G. Turner; Other Assistant, S. Squires (Maint.). Editing Department: Editor, Marjorie Saunders; 1st Assistant, R. Brown. Production Department: Production Manager and/or Unit Production Manager, Derrick Wynne; 1st Asst. Director, Pat Kelly; 2nd Assistant Director, Aida Young; Continuity, Betty Forster. Still Department: Still Cameraman, Michael Scott. DECAMERON NIGHTS Year of Production: 1952. Studio: Location in Spain and Gate Studios. Laboratory : Technicolor. Producing Company: Film Locations Ltd. Producer: M. J. Frankovich. Associate Producer: Montagu Marks. Stars: Joan Fontain, Louis Jourdan, Binnie Barnes, Joan Collins. Director: Hugo Fregonese. Scenarist: George Oppenheimer. Camera Department: Lighting Cameraman, Guy Green ; Camera Operator, Arthur Ibbetson; 1st Asst. Camera (Focus), Kenneth Gray; Other Camera Assistants, Johnny Cabrera, Peter Saddington. Sound Department: Recordist (Mixer), Terry Cotter; Sound Camera Operator, W. Milner; Boom Operator, George Sanders; Other Assistants, Post Synch., F. Stoneham; Dubbing Crew, Maurice Askew, Peter Davies, R. Langord, B. Childs, and Effects Crew. Art Department: Art Director and Prod. Designer, T. H. Morahan. Editing Department: Editor. Russell Lloyd; 1st Asst., Richard Sidwell; 2nd Assistant, W. Morton; Other Assistant, T. Hine. Production Department: Production Manager, Fred C. Gunn; 1st Asst. Director, Basil Keys; 2nd Assistant Director, Max Varnell ; Continuity, Betty Forster; Prod. Secretary, Audrey Monk. Still Department: Still Cameraman, John Hardman. Special Processes : Matte Shots, Douglas Hague (Technicolor); Assistant Dress Designer, Phyllis Dalton. FLANAGAN BOY Year of Production : 1952. Studio : Bray. Laboratory: Denham. Producing Company: Exclusive Films. Producer: Anthony Hinds. Stars: Barbara Payton, Frederick Valk, Anthony Wright. Director: Reginald Le Borg. Camera Department: Lighting Cameraman, Jimmy Harvey; Camera Operator, Len Harris; 1st Assistant Camera (Focus), Manny Yospa; Other Camera Assistant, Tommy Friswell. Sound Department: Recordist (Mixer), Bill Salter; Sound Camera Operator, Peter Matthews; Boom Operator, Percv Britten; Other Assistant, Ray Hole; Dubbing Crew, R.C.A., The Tower, Hammersmith. Art Department: Art Director, Wilfred Arnold. Editing Department: Editor, James Needs; 1st Assistant, Henry Richardson. Production Department: Production Manager and /or Unit Production Manager, John (Pinky) Green; 1st Assistant Director, Jimmy Sangster; 2nd Assistant Director, Aida Young; 3rd Assistant Director, Tom Sachs; Continuity, Renee Glynne. Still Department: Still Cameraman, John Jay. MADE IN HEAVEN Year of Production : 1952. Studio : Pinewood. Laboratory: Denham. Producing Company: British Film Makers. Producer: George Brown. Prod. Controller: Arthur Alcott. Stars: Petula Clark, David Tomlinson, Sonia Zeimann. Director: John Paddy Carstairs. Scenarists: George Brown. William Douglas Home. Camera Department: Lighting Cameraman, Geoffrey Unsworth; Camera Operator, Bill Allan; Technicolor Assts., Frank Kingston, John Jordan; Other Camera Asst., T. Friswell. Sound Department: Recordist (Mixer). John W. Mitchell : Sound Camera Operator, C. C. Messurier; Boom Operator, Percy Dayton; Boom Asst., Pat Wheeler; Dubbing Crew, G. McCallum, W. Daniels. Art Department: Art Director, Maurice Carter; Assistant Art Director (Set), Iris Newell; Draughtsmen, Jack Maxstead (Chief), Roy Dorman, Geoffrey Drake, Peter Lamont. Editing Department: Editor, John Guthridge; 1st Assistant, M. Sawyer; Other Assistant, Rov Fry; Dubbing Editor, Harry Miller; Assistant, A. Ludski. Production Department: Production Manager and /or Unit Production Manager, Jack Hicks; 1st Assistant Director, Phil Shipway; 2nd Assistant Director, Pat Marsden ; 3rd Assistant Director, Kipp Gowans; Continuity, Joan Davis; Assistant Continuity, Kathleen Hosgood. Still Department: Still Cameraman, George Ward. Special Processes: Prod. Secretary, Beryl Booth; Dress Designer, Julie Harris. MY WIFE'S LODGER Year of Production : 1952. Studio: Viking. Laboratory: Denlabs. Producing Company: Advance Films. Producer: David Dent. Stars: Dominic Roche, Olive Sloane, Diana Dors, Leslie Dwyer. Director: Maurice Elvey. Scenarist: Stafford Dickins. Camera Department: Lighting Cameraman, Phil Grindrod ; Camera Operator, Len Harris; 1st Assistant Camera (Focus), Paul Wilson; Other Camera Assistant, R. Bayley. Sound Department: Recordist (Mixer), Cliff Sandall ; Sound Camera Operator, Gerry Barnes ; Boom Operator, Charles Wheeler; Boom Assistant, Nick Gurney; Dubbing Crew, Gate Studios. Art Department: Art Director, George Jones. Editing Department: Editor, Lito Carruthers; Assembly Cutter, Stan Willis; 1st Assistant, A. Lower. Production Department: Production Manager and /or Unit Production Manager, Billy Boyle; 1st Assistant Director, Ernie Morris; 2nd Assistant Director, Richmond Harding; Continuity, Marjorie Owens. Still Department: Still Cameraman, Laurie Turner. SEA DEVILS Year of Production : 1952. Studio: Nettlefold. Laboratory: Technicolor (Picture). Denham (Sound). Producing Company : Coronado Productions. Producer: David E. Rose. Associate Producer: John R. Sloan. Stars: Yvonne de Carlo, Rock Hudson, Maxwell Reed. Director: Raoul Walsh. Story and Screenplay: Borden Chase. Camera Department: Lighting Cameraman, Wilkie Cooper; Camera Operator, Peter Newbrook; 1st Assistant Camera (Focus), John Tiley (Technicolor Technician); Other Camera Assistants, Jim Brody (Technicolor Asst.), Humphrey Cull (Clapper Boy). Sound Department: Recordist (Mixer), W. Lindop; Sound Camera Operator, Herbert Raynham; Boom Operator, F. Ryan; Other Assistant, Charles Earl (Sound Maint.); Dubbing Crew, Gate Studios, Elstree.