The Cine Technician (1953-1956)
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64
THE CINE-TECHNICIAN
May-June, 1953
Sound Department: Recordists (Mixer). John Mitchell. A. E. Rudolph; Sound Camera Operator. John Hales; Boom Operator, M. MacFarlane.
Art Department: Art Directors, Tom Goswell. G. Wakhevitch ; Assistant Art Director, Ray Sim.
Editing Department: Supervising
Editor, G. Turney-Smlth ; Editor. Lee Doig; Assembly Cutter. John Pomeroy; 1st Assistant. Teddy Darvas ; Dubbing Editor, Lee Doig.
Production Department : Production Manager, Isobel Pargiter; 1st Assistant Director, Pat Jenkins; 2nd Assistant Director. James Ware; 3rd Assistant Director, Buddy Booth; Location Manager. Sacha Kamenka; Continuity, Rita Davison; Assistant Continuity, Ann Forsyth (Studio only).
Still Department: Still Cameraman. Cyril Stanborough.
HINDLE WAKES
Year of Production: 1952.
Studio: Merton Park Studios.
Laboratory: Humphries Labs.
Producing Company: Monarch Productions.
Producer: William J. Gell.
Associate Producer: Phil Brandon.
Stars: Leslie Dwyer. Lisa Daniely, Brian Worth.
Director: Arthur Crabtree.
Scenarist: John Baines.
Camera Department: Lighting Cameraman, Geoffrey Faithfull, Camera Operator, Peter Bryan: 1st Assistant Camera (Focus), Ron Robson; Other Camera Assistants. Dennis Lewisston, Bill Hayes.
Sound Department: Recordist (Mixer). Dick Smith; Sound Camera Operator. Gerrv Barnes: Boom Operator, Dave Drinkwater: Other Assistant, Malcolm Stewart.
Art Department: Art Director, Andrew Mazzei ; Assistant Art Director, Thomas Goswell.
Editing Department: Editor, Max Benedict; 1st Assistant. Ernest Hilton; Other Assistant, Don Challis.
Production Department: Production Manager and/or Unit Production Manager, Tom Connochi; 1st Assistant Director. Ernest Morris: 2nd Assistant Director. Linsay William; 3rd Assistant Director, Max Gayton; Continuity. Marjorie Owens.
Still Department: Still Cameraman. Laurie Turner.
Special Processes: Scenic Artist. Jock Kay.
HOT ICE
Year of Production : 1952.
Studio: Braywick Studios, Nr. Maidenhead.
Laboratory: Denham Laboratories Ltd.
Producing Companies: I'resent-Dav and S.W.H."
Producer: Charles Reynolds.
Stars: Barbara Murray. John Justin.
Director: Kenneth Hume.
Scenarist Kenneth Hume.
Camera Department Lighting Camera man. E. Lloyd: Camera Operator, Alan Hume: 1st Assistant Camera iFimusi. Ronald Maasz; Other Camel a Assistant. Alex Thompson.
Sound Department: Recordist (Mixer), Ben Bright w.ll; Sound Camera Operator, Eric Vincent : Boom Operator, G. Turner; Other Assistant.
S. Squires (Maint.l. Editing Department Editor. John
Shirley; Assembly Cutter, Petei
Maylev.
Production Department: Production Manager and/or Unit Production Manager. Derrick Wynne; 1st Assistant Director, Pat Kelly; 2nd Assistant Director. Aida Yo"ung; Continuity. Marjorie Owens.
Still Department: Still Cameraman. Michael Scott.
HOUSE OF BLACKMAIL
Year of Production: 1952-53.
Studio: Nettlefold.
Laboratory: Kay Film Printing Co.
Producing Company: A.C.T. Films Ltd.
Producer: Phil Brandon.
Slurs: William Sylvester, Mary Germaine.
Director: Maurice Elvey.
Scenarist: Allan Mackinnon.
Camera Department: Lighting Cameraman, Phil Grindrod; Camera Operator, Tony Young; 1st Assistant Camera (Focus). A. E. Hicks: Other Camera Assistant. Michael Wilson.
Sound Department : Recordist (Mixer), Pip Pearson; Sound Camera Operator, J. S. Clark; Boom Operator. Paddy Cunningham.
Art Department : Art Director. R. S. McGregor; Draughtsman. Belle
Pomeroy.
Editing Department: Editor. Vera Campbell; 1st Assistant. Peter Hunt; Other Assistant, Walter Lassally.
Production Department: Production Manager and/or Unit Production Managei .1,1. k il irks : 1st Assistanl Director. Jimmy Shingfield ; 2nd Assistant Director, David Middlemas; 3rd Assistant Director. Basil Sumner; Continuity. Doreen Dearnley; Production Secretary, Iris Winterbourne.
Still Department: Still Cameraman. John Hardman.
INNOCENTS IN PARIS
Year of Production: 1952.
Studio: Gate Studio, Boreham Wood.
Laboratory: George Humphries Ltd.
Producing Company: Romulus Films Ltd.
Producer: Anatole De Grunwald.
Stars: Alastair Sim, Margaret Rutherford, Ronald Shiner, Claire Bloom, Jimmy Edwards, Claude Dauphin.
Director: Gordon Parry.
Scenarist: Anatole De Grunwald.
Camera Department : Lighting Cameraman, Gordon Lang; Camera Operator. Robert Walker; 1st Assistant Camera (Focus), Ronald Maasz; Other Camera Assistants. Gerry Anstiss, Peter Hammond.
Sound Department: Recordist (Mixer), John Mitchell; Sound Camera Operator, Gerry Turner; Boom Operator. M. D. Moray-MacFarlane; Boom Assistant. Jimmy Northcote (Location only).
Art Department: Art Director, Tom Goswell; Assistant Art Director. Kenneth Callum-Tait ; Draughtsmen. Belle Pomeroy, Alec Grey.
Editing Department: Editor, Geoffrej Foot: Assembly Cutter, Ann Chegwidden ; 1st Assistant. Phillip Barnikel.
Production Department: Production .Manager and /or Unit Production Manager. William Kirby; 1st Assistant Director. Jack Causey; 2nd Assistant Director, John Pellatt : Location Manager. James War.'; Continuity, Rita Davison; Assistant Continuity. Beryl Booth.
Still Department: Still Cameraman. Arthur Lemon
Special Processes: Back Projection. A. Little. H. Allen. Supervised bj Bunnv Chadwick.
ISN'T LIFE WONDERFUL?
Year of Production: 1952.
Studio: A.B.P.C, Elstree Studios.
Laboratories: Technicolor and George Humphries.
Producing Company: Associated British Picture Corporation Ltd.
Producer: Warwick Ward.
Stars: Eileen Herlie, Cecil Parker, Donald Wolfit.
Director: Harold French.
Scenarist: Brock Williams.
Camera Department : Lighting Cameraman. Erwin Hillier; Camera Operator, Harold Haysom ; Other Camera Assistant, Hugh Salisbury; 2nd Camera Operator, Derek Whitehurst (Asst.).
Sound Department: Recordist (Mixer), Cecil Mason; Sound Camera Operator, Gordon Temple; Boom Operator. J. W. Daniel; Boom Assistant, Colin Hopkins; Other Assistant. J. Davey; Dubbing Crew, L. Shilton, C. Brown. L. Abbott. E. Penfold.
Art Department: Art Director, Terence Verity; Draughtsmen, Peter Glazier, Tony Masters, Don Home.
Editing Department : Editor. E. B. Jarvis; 1st Assistant, Eva Catchpole: Other Assistants. Jean Newsom. Alan Tyrer: Dubbing Editor. A. J. Southgate.
Production Department: Production Manager and /or Unit Production Manager, Terry Hunter; 1st Assistant Director. Gordon Scott; 2nd Assistant Director. Fred Goode; 3rd Assistant Director. Norman Harrison: Continuity. Pam Gavler: Production Secretary, Maureen Duffy.
Still Department: Still Cameraman. Albert Clark.
JOHN OF THE FAIR
Year of Production: Dec. 1951-Jan. 1952.
Studio: Merton Park.
Laboratory: Denham Laboratories.
Producing Company: Merton Park Studios Ltd.
Producer: Frank A. Hoare.
Star: John Charlesworth.
Director: Michael McCarthy.
Scenarist: Michael McCarthy.
Camera Department: Lighting Cameraman. Jo Ambor; Camera Operator. John Wiles; 1st Assistant Camera (Focus), Ron Robson; Other Camera Assistant. D. Litchfield (Clappers/ Loader).
Sound Department : Recordist (Mixer). Pick Smith. Sound Camera Operators. Gerry Barnes, Brian Hunter; Boom Operator. P. Drinkwater: Boom Assistant. A. Vincent; Other Assistant. Brian Hunter: Dubbing Crew, S. Rider, R. A. Smith. L. Hebburn.
Art Department: Art Director, George Haslam; Assistant Art Director. Stan Shields.
Editing Department: Editor. Eric Hodges; 1st Assistant. D. Challis; Dubbing Editor, Eric Hodges.
Production Department: Production Manager and /or Unit Production Manager. M. G. Bromhead ; 1st Assistant Director, T. Holliday; 2nd Assistant Director. Fred Ruff; 3rd Assistant Director, John Smith; Location Manager. M G. Bromhead: Continuity. Betty Harley.
Still Department: Still Cameraman. Cyril Stanborough.
Special Processes 3 matte shots for loim shots of fairs. Les Bowie (Techiii»: 1 model of fair at night time, Carl Toms (Technician i