The Cine Technician (1953-1956)

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100 THE CINE-TECHNICIAN August, 1953 MURDER AT 3.0 a.m. Year of Production: 1952/53. Studio: Bushey. Laboratory: Denham. Producing Company: David Henley Partners and Company Limited. Producer: John Ainsworth. Executive Producer: David Henley. Stars: Dennis Price, Peggy Evans. Director: Francis Searle. Scenarist: John Ainsworth. Camera Department: Lighting Cameraman, S. D. Onions; Camera Operator. William Oxley; 1st Camera Assistant (Focus), K. J. Nicholson; Other Camera Assistant, Tony Busbridge. Sound Department: Recordist (Mixer), Dave Howells; Sound Camera Operator, Derek M'Coln; Boom Operator, Don Wortham; Boom Assistant, Bill Germain; Dubbing Crew, Merton Park. Art Department: Art Director, George Patterson. Editing Department: Supervising Editor, Peter Seabourne; Editor, Adam Dawson; Dubbing Editor, Merton; 1st Assist. Editor, T. Laurie. Production Department: Production Manager, John "Pinky" Green; 1st Assistant Director, John Oldknow; 2nd Assistant Director, Douglas Hickox; Continuity, Gladys Reeve. Still Department: Still Cameraman, Hal Moray. MURDER IN THE CATHEDRAL Year of Production: 1950/51. Studio: St. Stephen's Church, Avenue Road, N.W.8. Laboratory: Humphries. Producing Company: Film Traders Ltd. Producer: George Hoellering. Star: Father John Groser. Director: George Hoellering. Scenarist: George Hoellering. Camera Department: Lighting Cameraman, David Kosky; Camera Operator, Norman Foley ; 1st Camera Assistant (Focus), Irvin Pannaman; Other Camera Assistant, David Mason; Laboratory Contact, Martin Schute. Sound Department: Recordists (Mixer). F. Arnaud, Ken Scrivener; Sound Camera Operator, P. Jeffrey; Boom Operator, P. Clarke; Dubbing Crew, Ken Cameron (Dubbing Mixer), Ken Scrivener (Assistant Mixer), Douglas Hurring (Sound Camera Operator), Douglas Smith (Chief Projectionist}. William Drake, William Munn (2nd Projectionists). Art Department: Art Director, Peter Pendrey; Sculptor, Edwin Florence. Editing Department: Supervising Editor, George Hoellering; Editor, Anne Allnatt; Other Assistant, Cynthia Barkley; Dubbing Editor, Ralph Sheldon. Still Department: Still Cameraman, Gordon Roberts. RECOIL Year of Production: 1952. Studio: Riverside. Laboratory: Humphries. Producing Company: Tempean Films Ltd. Producers: R. S. Baker, N. M. Berman. Stars: Kieron Moore. Elizabeth Sellars, Edward Underdown. Director: John Gilling. So narist ; John Gilling. Camera Department Lighting cameraman, N. M. Berman; Camera Operator, Eric Besche; 1st Camera Assistant (Focus), Desmond Davis; Other Camera Assistant, Jim Devis. Sound Department: Recordist (Mixer), Leonard B. Bulkley; Sound Camera Operator, B. J. Rootes; Boom Operator, Fred Tomlin; Dubbing Crew. George Burgess, Gordon Hay, Cyril Qollick. Art Department: Art Director, Wilfred Arnold. Editing Department: Editor, Sid Hayers; 1st Assistant, Arthur Cox; Other Assistant Judith Campbell. Production Department: Production Manager, Jack Hanbury; 1st Assistant Director, George Fowler; 2nd Assistant Director, Claud Hudson; 3rd Assistant Director, Alan Jonas; Continuity, Joanna Busby. Still Department: Still Cameraman. Eric Gray. SALUTE THE TOFF and HAMMER THE TOFF Year of Production: July-Sept., 1951. Studio: Nettlefold, Walton-on-Thames. Laboratory: Kay's, Finsbury Park. Producing Company: Nettlefold Films Ltd. Producer: Ernest G. Roy. Associate Producer: A. R. Rawlinson. Stars: " Salute " — John Bentley, Carol Marsh. " Hammer " — John Bentley, Patricia Dainton. Director: Maclean Rogers. Camera Department: Lighting Cameraman, Geoffrey Faithfull; Camera Operator, Ray Sturgess; 1st Camera Assistant (Focus), W. Smith (Jnr.); Oother Camera Assistant, H. Cull. Sound Department: Recordist (Mixer), T. Meyers; Sound Camera Operator, R. Cunningham; Boom Operator, D. P. Furderer; Dubbing Crew, Dubbing done at Carlton Hill Studios. Art Department : (Supervising) P. Paterson, Alec Gray. Editing Department: Editor, J. M. Connuck; Other Assistant, Peter Mayhew; Dubbing Editor, T. E. Laurie. Production Director, Director, Director, Manager, Continuity " Hammer Department: E. S. Laurie E. Morris; Tony Harris; Buddy Booth: " Salute "— S '—J. Dyball. 1st Assistant 2nd Assistant 3rd Assistant Location Assistant Barnes. Special Processes: R. Cantouris. SO LITTLE TIME Year of Production: 1951. Studio: Associated British, Elstree. Laboratory: Humphries. Producing Company: "The Mayflower" Pictures Corpn. Ltd. Producers: Aubrey Baring, Maxwell Setton. Stars: Marius Goring, Maria Schell. Director: Compton Bennet. Scenarist: John Cresswell. Camera Department: Oswald Morris (Studio), Stephen Dade (Location): Operator, Val Stewart; 1st Assistant. Chic MacNaughton; Other Assistants. Peter Hendry, Alan Bryce (Clappers). Sound Department: Recordist (Mixer), Cecil Thornton; Sound Camera Operator, Bert Blackmore: Boom Operator, Owen Mundin; Boom Assistant. G. Daniels; Sound Maintenance. J. Davie: Dubbing Crew. L. Shilton, C. Brown, L. Abbot. E. Penfold. Art Department: Art Director, Edward Carrick; Assistant Art Director, Geoffrey Drake; Draughtsman, Donald Home. Editing Department: Editor. V. Sagovsky: 1st Assistant, Allan Tyivr; Other Assistant. John Zambardi : Dubbing Editor, C. Crafford. Production Department: Production Supervisor, E. M. Smedley-Aston; 1st Assistant Director, David Peers: 2nd Assistant Director, Martin Schute; 3rd Assistant Director, Norman Harrison; Location Manager. Louis Fleury; Continuity, Connie Willis. Still Department: Still Cameramen, A. Hopking (Production), R. Hawkins (Publicity), L. Ridley (Location). SOUTH OF ALGIERS Year of Production: 1952. Studio: Associated British, Elstree. Laboratory: Technicolor. Producing Company: "The Mayflower" Pictures Corpn. Ltd. Producers: Aubrev Baring, Maxwell Setton. Stars: Van Heflin, Wanda Hendrix, Eric Portman. Director: Jack Lee. Scenarist: Robert Westerby. Camera Department: Lighting Cameraman, Oswald Morris; Camera Operator, Arthur Ibbetson; Technicolor Assistants, Ian Craig, Peter Allwork: Clappers, Alan Bryce. Sound Department: Recordist (Mixer), Leslie Hammond; Sound Camera Operator. Gordon Temple; Boom Operator. J. Noel Daniel; Boom Assistant, Michael Colomb; Sound (Maintenance), Jimmy Davie; Dubbing Crew, L. Shilton, C. Brown, M. Colomb, E. Penfold. Art Department: Art Director, Don Ashton; Assistant Art Director, Peter Glazier; Draughtsman, Don Home. Editing Department: Editor, V. Sagovsky; Assembly Cutter, Allen Tyrer; 1st Assistant, Gerry Anderson; Other Assistants, Peter Saunders, John Zambardi; Dubbing Editor, Arthur Southgate. Production Department: Production Manager, Cecil R. Foster Kemp; 1st Assistant Director, David Peers; 2nd Assistant Director, Martin Schute; 3rd Assistant Director, Jeremy Summers: Location Manager, Louis Fleury; Continuity, Connie Willis. Still Department: Still Cameraman. George Higgins. TERROR IN THE JUNGLE (Operation Malaya) Year of Production: 1952/53. Studio in which Recorded: Merton Park Studios Ltd. Laboratory: Humphries. Producing Company: David MacDonald Productions Ltd. Producer: John Croydon. Co-Producer: Peter Crane. Director: David MacDonald. Scenarists: John Croydon. David MacDonald. Camera Department: Lighting Cameramen, Geoffrey Faithfully, Arthur Graham. Sound Department: Recordist (Mixer). Terence Cotter: Sound Camera Operator and Boom Operator, George Sanders; Dubbing Crew, Richard Smith, Sidney Rider. Editing Department: Editor. Inman Hunter; 1st Assistant, R. G. Bayley: Other Assistant. John Dunsford: Dubbing Editor, Ernest Hilton. Production Department: Production Manager. T. S. Lyndon-Haynes; 1st Assistant Director, Ernest Morris. THE GOOD BEGINNING Year of Production: 1953. stutiu). Elstree studios. Laboratory: Geo. Humphries. Producing Company: Associated British Picture Corporation Ltd.