The Cine Technician (1953-1956)

Record Details:

Title:
The Cine Technician
Date:
1953-1956
Publisher:
London, Association of Cine-Technicians
Volume:
The Cine Technician (1953 - 1956)
Leaf #:
000427
Language:
English
Subjects:
Motion Pictures, Film Industry Technical Magazine",nyarc-museumofmodernar
Collection:
Global Cinema, United Kingdom, and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
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April 1955 CINE TECHNICIAN 59 THE LOVE MATCH Year of Production: 1954. Studio: Beaconsfield. Laboratory: George Humphries & Co. Ltd. Producing Company: Group 3 Limited. Producer: Maclean Rogers. Stars: Arthur Askey. Glen Melvyn. Director: David Paltenghi. Scenarists: Geoffrey Orme, Glen Melvyn. Camera Department: Lighting Cameraman, Arthur Grant; Camera Operator, Ken Hodges; 1st Camera Assistant (Focus), Richard Bayley; Other Camera Assistant, Eric Williams. Sound Department: Recordist (Mixer), Len Page; Sound Camera Operator. Al Thorne; Boom Operator, Tom Otter; Dubbing Crew, Anvil Films Ltd. Art Department: Art Director, Bernard Robinson; Draughtsman. Eric Saw. Editing Department: Editor, Joe Sterling; 1st Assistant, H. Marryat ; Other Assistant, R. Fowler; Dubbing Editor, E. Boyd-Perkins. Production Department : Production Manager, E. S. Laurie; 1st Assistant Director, Jim O'Connolly; 2nd Assistant Director, Peter Crowhurst ; Continuity, Gladys Goldsmith. Stills Department: Still Cameraman, Richard Cantouris. TO PARIS WITH LOVE Year of Production : 1954. Studio: Pinewood Studios. Laboratory: Technicolor. Producing Company: Two Cities Films Ltd. Producer: Anthony Darnborough. Production Controller: Arthur Alcott. Stars: Odile Versois, Alec Guiness, Elina Labourdette, Vernon Gray. Director: Robert Hamer. Scenarist: Robert Buckner. Camera Department: Lighting Cameraman, Reg Wyer; Camera Operator, Dudley Lovell ; 1st Camera Assistant (Focus), Alan Perry (Location); Technicolor, H. Salisbury, N. Binney; Other Camera Assistants. Kevin Kavanagh (Location), K. Clarke. Sound Department: Recordist (Mixer), C. C. Stevens; Sound Camera Operator, G. Labram; Boom Operator, E. Daniels; Boom Assistant, M. Jay; Sound Maintenance, Austin Partridge; Dubbing Crew, G. MeCallum, E. Daniels, C. le Messurier; Music, Ted Drake. Art Department: Art Director, Maurice Carter; Assistant Art Director (Set), Arthur Taksen ; Draughtsmen, H. Pottle (Chief). R. Dorman, T. Marsh. Editing Department: Editor, Anne Coates; 1st Assistant, Peter Flack; Other Assistant, G. Fry; Dubbing Editors, R. Cherrill, L. Wiggins (Asst.); Track Layer, C. Squires. Production Department: Production Manager, P. Leigh-Aman; 1st Assistant Director, Stanley Hosgood; 2nd Assistant Director, Kip Gowans; 3rd Assistant Director, Richard Bryse-Harvey ; Continuity, Joan Davis, Margaret Shipway (Location) ; Production Secretary, Pat Bydawell. Stills Department: Still Cameraman. I. Jeayes. SIMBA Year of Production : 1954. Studio: Pinewood. Laboratory: Denham. Producing Company: Group Film Prods. Ltd. Producer: Peter de Sarigny. Production Controller: Arthur Alcott. Stars: Virginia McKenna, Marie Ney, Donald Sinden, Dirk Bogarde, Earl Cameron, Orlando Martins, Basil Sydney, Joseph Tomelty. Director: Brian Desmond Hurst. Scenarists: Screenplay, John Baines; Additional dialogue, Robin Estridge; Story, Anthony Perry. Camera Department: Lighting Cameramen, G. Unsworth, E. Cross and S. Kelly (Location); Camera Operators, D. Harcourt, J. Atcheler (Location); 1st Camera Assistants (Focus). J. Alcott, D. Motture, R. S. Robinson; Other Camera Assistants, S. Claydon, K. Pike. Sound Department: Recordist (Mixer), Dudley Messenger; Sound Camera Operator, Ken Rawkins; Boom Operator, Bob MacPhee; Boom Assistant, John Brommage; Dubbing Crew, G. MeCallum, E. Daniels, C. le Messurier; Music Recordist, Ted Drake. Art Department: Art Director, John Howell; Assistant Art Director (Set). Vernon Dixon ; Draughtsmen, Ted Clements (Chief), Syd Cain, Roy Stannard. Editing Department: Editor, Michael Gordon: Assembly Cutter, Dennis Sawyer; Other Assistant, Jack Knight ; Dubbing Editor, Wyn Ryder; Assistants, Noreen Acklarid, Dorothea Spark. Production Department : Production Manager, E. Joseph; 1st Assistant Director, Phil Shipway; 2nd Assistant Director, Bert Batt : 3rd Assistant Directors, L. Knight, R. Gowans (Location); Continuity, Yvonne Axworthy; Assistant Continuity, Marguerite Green (Location only); Production Secretary, Sheila O'Donnell. Stills Department: Still Cameraman, Harry Gillard. Special Processes: Dress Designer. Doris Lee. THE DARK AVENGER Year of Production: 1954. Studio: Associated British Picture Corp. Ltd., Elstree Studios. Laboratories : Picture, Denham Laboratories; Sound, George Humphries & Co. Ltd. Producing Company: Monogram Pictures Ltd. Associate Producer: Vaughan N. Dean. Stars: Errol Flynn. Joanna Dru, Peter Finch. Directors: 1st Unit, Henry Levin; 2nd Unit, Alex Bryce. Scenarists: Daniel Bruce Ullman Phil Park (Additional dialogue). Camera Department: Lighting Cameramen, Guy Green, Cyril J. Knowles (2nd Unit); Camera Operator, Norman Warwick; 1st Camera Assistant (Focus), Peter Hendry; Other Camera Assistants, Kelvin Pike, R. Stilwell; Second Camera Operator. Chick McNaughton. Sound Department: Recordist (Mixer), Leslie Hammond ; Sound Camera Operator, Malcolm Stewart; Boom Operator, Bill Cook; Boom Assistant, Hugh Strain; Maintenance, Jack Lovelock; Dubbing Crew, Len Shilton, C. Brown. Art Department : Art Director, Terence Verity, Assistant Art Director, Betty Peirce, Draughtsmen, M. Pelling. E. Blakemore. Editing Department: Editor, E. B. Jarvis; Assembly Cutter, Eve Catchpole; 1st Assistant, Audrey Bennett; Other Assistant, Stan Trott; Dubbing Editor, Charles Crafford ; Assistant. Peter Austin Hunt. Production Department: Production Manager, Roy H. Parkinson: Unit Production Manager, Albert Beckett; 1st Assistant Directors, Terence Hunter, Harold Buck (2nd Unit); 2nd Assistant Director, Maurice Gibson; 3rd Assistant Director, John Comfort; Continuity, Elaine Schreyeck, June Faithfull (2nd Unit); Production Secretary: Golda Offenheim. Stills Department: Still Cameraman, Ronnie Pilgrim; Publicity Stills, both Frank Bellingham and" R. Penn were on this production for part of the time. Unit Publicity Representative: George Mason. A KID FOR TWO FARTHINGS Year of Production: 1954. Studio: Shepperton Studios. Laboratories: Eastman Colour Negative, Technicolor Ltd. ; Sound, George Humphries & Co. Ltd. Producing Company: Big Ben Films Ltd. Producer: Carol Reed. Stars: David Kossof, Celia Johnson, Diana Dors, Brenda de Banzie. Director: Carol Reed. Scenarist : Wolf Mankowitz. Camera Department: Lighting Cameraman, Edward Scaife; Camera Operator, Robert Day; 1st Camera Assistant (Focus), Gerald Fisher; Other Camera Assistant, Ronald Etherington. Sound Department: Recordist (Mixer). A. G. Ambler; Sound Camera Operator, H. Tate; Boom Operator, K. Ritchie; Other Assistant, I. Worsley (Maintenance); Dubbing Crew, Red Law, Bob Jones, Barbara Hopkins. Norman Daines. Art Department : Art Director, Wilfred Shingleton ; Assistant Art Director, Anthony Masters; Draughtsman, Frank Willson. Editing Department: Editor, A. S. Bates; Assembly Cutter, E. Mason; 1st Assistant, N. Savage; Dubbing Editor, E. Mason. Production Department: Production Manager, John Palmer; 1st Assistant Director, John Bremer; 2nd Assistant Director, John Pellatt : 3rd Assistant Director, Jack Green; Continuity, Olga Brook; Production Secretary, Margaret Dukelow. Stills Department: Still Cameraman. Leslie Baker. Special Processes: Glass Shots, Wally Veevers. THE CONSTANT HUSBAND Year of Production : 1954. Studio: Shepperton Studios. Laboratories: Eastman Colour: George Humphries & Co. Ltd., Negative processing and sound; Technicolor Ltd., Release prints. Producing Company: British Lion Film Prods. Ltd. Producers: Frank Launder, Sidnev Gilliat. Stars: Rex Harrison, Margaret Leighton, Kay Kendall. Director: Sidney Gilliat. Scenarists: Sidney Gilliatt, Val Valentine. Camera Department: Lighting Cameraman, Edward Scaife; Camera Operator, Robert Day; 1st Camera Assistant (Focus), Gerald Fisher; Other Camera Assistants, A. Hall, R. Etherington. Sound Department : Recordists (Mixer). G. Stephenson, A. Fairlie; Sound Camera Operator, J. Davies; Maintenance, A. Blay; Dubbing Crew, R. Law, R. Jones, B. Hopkins. Art Department: Art Director, Wilfred Shingleton; Assistant Art Director, Arthur Lawson ; Draughtsmen, A. Masters, R. J. Bream. Editing Department : Editor, G. Turney-Smith; Assembly Cutter. Lee Doig; 1st Assistant, John Lee; Dubbing Editor, Lee Doig. Production Department: Production Manager, E. M. Smedley-Aston; 1st Assistant Director, Percy Hermes; 2nd Assistant Director, Douglas Hermes; 3rd Assistant Director, James Northcote; Continuity, Constance Willis. Stills Department: Still Cameraman, Norman Hargood. Special Processes: Special Effects, Wally Veevers.