Close Up (Jul-Nov 1927)

Record Details:

Title:
Close Up
Date:
Jul-Nov 1927
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000200
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
August 29, 2022
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CLOSE UP coup de musique et doit faire fort attention parce qu'il a les yeux faibles, a les sourcils un pen trop muscles pour ses roles. Jean Prevost. CONRAD VEIDT THE STUDENT OF PRAGUE. A small room, a stuffy atmosphere ; a provincial Swiss lakeside cinema ; the usual shuffle and shuffle and the unaccustomed (to the urbane senses) rattle of paper bags. Crumbs. "Mile, must not smoke here." Of course I might have known that, I never smoke in these places, what made me this time ? Something has been touched before I reahse it, some hidden spring ; there is something wrong with this film, with me, with the weather, with something. The music ought, it is evident, to be making my heart spring but I don't like student songs and these Heidelbergish melodies especially leave me frigid. There's something wrong and I have seen those horses making that idiotic turn on the short grass at least eight timics. What is it ? I won't stay any longer. The music ought to be all right — my slightly readjusted ears make that slight concession. I wish I had stayed at home, or why didn't I go in 34