Close Up (Jul-Dec 1929)

Record Details:

Title:
Close Up
Date:
Jul-Dec 1929
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00042
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Switzerland, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
August 29, 2022
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CLOSE UP and the cinema. He must look into all his experience and expressions to discover himself. He must believe he can create cinema, if he is faithful to his own intelligence, intuition and experience. H. A. POTAMKIX. SCATTER BRAINS Hope alone remaining ! The procession from this year's box of Pandora is headed by the talkies, the squawkies and Al Jolson clad in his son's pyjamas. Enter and exit Mr. Pudovkin, at intervals, followed by the eyes of press interviewers; while Jannings, tricked out as a siren on the rocks, tries to attract their attention by creating records in india-rubber mouths. Anna May Wong is merely a spectator, standing in a corner with upraised hands. Buster Keaton throws an occasional knife in her direction with a certain indifference. Conspicuous in the chorus of step-dancing daughters is Joan Crawford (futurist costume), but a determined lady is attempting to duplicate her " goings-on " ; her dark hair, flashing eyes and slightly damaged diadem proclaim her to be Madame Pola Negri. Hope alone remaining ! 24