Close Up (Mar-Dec 1933)

Record Details:

Title:
Close Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00011
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
November 07, 2023
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CLOSE UP Vol. X. No. i March, 1933 The Yar, one of the most famous Czarist restaurants in Moscow, now converted into the State Institute of Cinema. Le Yar, I'un des restaurants les plus renommes au temps des tsars, transforme actuellement en Institut d'Etat du Cinema. Yar, eines der beriihmtesten zaristischen Restaurants in Moskau, jetzt in das staatliche Filminstitut verwandelt. CINEMATOGRAPHY WITH TEAKS/ THE WAY OF LEARNING. By S. M. Eisenstein. Note. — In our December issue there appeared an article by Eisenstein, entitled, Detective Work in the GIK (The Moscow State Institute of Cinematography). Here is continued an account of the methods employed, and our June issue will contain a long and interesting " case history " in which the film An American Tragedy — which, as most of our readers are aware, was to have been Eisenstein 's initial American production for Paramount — is discussed in relation to its significance tutorially and thematically, deriving from this article and that which preceded it. 3