Close Up (Mar-Dec 1933)

Record Details:

Title:
Close Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
00039
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
November 07, 2023
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CLOSE UP Seeing others as we see them ourselves. On rare occasions only ! An ingenious, if rather disquieting series of publicity stills of the Marx brothers — probably only two of the four, but we leave it to you ! Points de vue exceptionnels . Serie de cliches publicitaires aussi ingenieux quinquietants des Freres Marx — deux? quatre? devinez-le ! Andere sehen, wie man sie selbst sicht. Nur bei seltenen Gelegenheiten ! Eine geistreiche, wenn auch beunruhigende Reihe von Photos der Marx Brothers — wahrscheinlich nur szvei von den vieren, aber wir uberlassen es Ihnen. stance. Indeed, I half-suspect that the director recognized that the play had more appearance than substance : it was a typical Ben Hecht imposture, garbling half-truths and circumstantial data into the semblance of an indictment. The glamour of the vehicle rendered the cargo glamorous until the