Close Up (Mar-Dec 1933)

Record Details:

Title:
Close Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000360
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
November 07, 2023
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336 CLOSE UP Wild Cattle," a neic Portuguese film by Lopes Ribeiro and Max Noresk. Photo by Luis Nunes. Be'tail suuvage," un nouveau film portugais de Lopez Ribeiro et Max Xoresk. Photo de Luis Nunes. PORTUGAL For many years the Portuguese cinema has existed miserably. When it was first attempted to make films in Portugal, a small studio was built at Oporto but many pictures were produced in quick succession and the artistic and commercial errors committed spoiled everything in a short time. Work was soon stopped and the studio was abandoned. For a time the Portuguese cinema scarcely existed. Now and again a film appeared, not a real work of art but onlv a commercial picture. Then all relapsed into silence. Two years ago a new attempt was made to create a Portuguese cinema, but this isolated trial failed also, although it gave us two or three pictures of real interest and value. It was the work of Leitao de Barros producing Nazare, Maria do Mar and A Severn.