Close Up (Mar-Dec 1933)

Record Details:

Title:
Close Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000361
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Switzerland, Early Cinema, and Global Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
November 07, 2023
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CLOSE UP 337 But the " talkies " upset this enterprise. About a year ago, a great campaign was organised in favor of the national cinema, whose existence could be assured in Portugal only if we had a modern studio with all the necessary equipment. The campaign gained ground. A well organised producing society was started : The " Companhia Portuguesa de Filmes Sonoros Tobis Klang Film " (" Tobis Portuguesa " for short), and in less than a year built a small studio in Tisbon equipped with the most modern and practical technical Tobis Klang Film equipment. Even before they had finished building, the Company began to work. And the first picture of this society, A Concao de Lisboa (the Song of Tisbon), directed by Cotinelli Telmo, is ready to be shown to the public. A Cancao de Lisboa wiU be a so-called popular comedy where the author pretends to harmonise commercial necessities with art. With the advent of this companv another producer appeared : the " Bloco H. da Costa."