Close Up (Mar-Dec 1933)

Record Details:

Title:
Close Up
Date:
Mar-Dec 1933
Publisher:
[London, etc., Pool]
Volume:
Close up ... devoted to the art of films
Leaf #:
000401
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Global Cinema, Switzerland, and Early Cinema
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
As an active film magazine, CLOSE UP lasted only a short time, from 1927 to 1933. Yet the legacy of this English-language periodical, which was published in Switzerland, continues to matter. Edited by Bryher and her husband Kenneth Macpherson, CLOSE UP became THE magazine for energetic debates about the nature of cinema and manifestos imagining new forms of filmmaking and spectatorship. The magazine published articles by filmmakers, such as Sergei Eisenstein, and female literary modernists, such as H.D. and Gertrude Stein. As film scholar Anne Friedberg explains in the anthology CLOSE-UP, 1927-1933: CINEMA & MODERNISM, 'CLOSE UP became the model for a certain type of writing about film -- writing that was theoretically astute, politically incisive, critical of films that were simply 'entertainment.' For six and a half years, CLOSE UP maintained a forum for a broad variety of ideas about the cinema; it never advocated a single direction of development, but rather posed alternatives to existing modes of production, consumption, and film style.' Like Friedberg's own writing, CLOSE UP continues to be essential reading for anyone interested in the history of film and media theory. -- Eric Hoyt, 2014
Date Added:
November 07, 2023
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Contributors to Vol. X PAGE Blake, Frances : Something New in the Motion Piature Theatre . . . . . . . . . . 154 Blakeston, Oswell : Pseudomorphic Film . . . . '. . . . . . . . . . . . . . 19 Teaching Music by the Abstract Film .. .. .. . . .. .. .. 161 Films and Values . . . . . . . . . . . . . . . . . . . . 243 Pseudomorphic Film, Number Two . . . . . . . . . . . . . . 279 Manifesto on the Documentary Film . . . . . . . . . . . . . . 325 Blakeston, Oswell and Burford, J.: New Film by Deslaw . . . . . . . . . . . . . . . . . . 258 Blakeston, Oswell and Burford, R. : Reality Isn't True . . . . . . . . . . . . . . . . . . . . 67 Bond, Ralph : Two Documentaries . . . . . . . . • . . . . . . . . . . 322 Bryher : What Shall you do in the War ? . . . . . . . . . . . . 188 Burford, Roger : Published Scenarios . . . . . . . . . . . . . . . . . . 50 Costa, Alves : Portugal . . . . . . . . . . . . . . . . . . . . . . 336 Coxhead, Elizabeth : • A Film Actor . . . . . . . . . . . . . . . . . . 47 Towards a Co-operative Cinema .. .. .. .. .. .. .. .. 133 Cunard, Nancy : Scottsboro . . . . . . . . . . . . . . . . . . . . . . 274 Daugherty, Frank : The Pabst Arrival . . . . . . . . . . . . . . . . . . . . 332 Eisenstein, S. M. : Cinematography With Tears . . . . . . . . . . . . . . . . 3 An American Tragedy . . . . .... . . . . . . . . . . 109 Fairthorne, Robert, A. : The Nature of Film Material 138 Herring, Robert : Fan Males .... . . . . . . .... . . . . .... 40 Howard, Clifford : Cinema Psychology . . . . . . . . ... . . . . . . . . 71 Storm Over Hollywood . . . . . . . . . . . . . . . . . . 192 Film Morals . . . . . . . . . . . . . : . . . . 271 Symphonic Cinema . . . . . . . . . . . . . . . . . . 347 Hughes, Pennethorne : The Historical Inception of Stage and Film . . . . . . . . . . . . 341 Kraszna-Krausz, A. : Beginning of the Year in Germany . . . . . . . . . . . . . . 74 Lenauer, Jean : Three Paris Films . . . . . . . . . . • . . . . . . . . 54 Talkie Diseases of French Cinema . . . . . . . . . . . . . . 235 377 10587 184