Copyright term, film labeling, and film preservation legislation : hearings before the Subcommittee on Courts and Intellectual Property of the Committee on the Judiciary, House of Representatives, One Hundred Fourth Congress, first session, on H.R. 989, H.R. 1248, and H.R. 1734 ... June 1 and July 13, 1995 (1996)

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80 -3protection. As the world's leading provider of copyright "content," the U.S. charted the way for the recognition of exclusive rental rights in certain works, for copyright protection for software, and for an adequate term of protection for sound recordings in countries that do not protect those works under copyright. On the issue of duration of protection for copyrighted works in general, however, the European Union is pointing the way. And NMPA fears that way will be a dark and hostile one for American creators and rights owners. The E.U. directive invokes reciprocity through the Berne Convention's "rule of the shorter term." Works of U.S. origin will fall into the public domain in the countries of the European Union at the expiration of their life-plus-50 term, while those same countries will grant works of their own authors an additional 20 years of protection. The only way U.S. works can qualify for the extended term is for our law to grant an equal extension - in other words, for H.R. 989 to become law. As this Committee considers H.R. 989 and the issue of term extension from a domestic policy standpoint, however, NMPA urges you to consider an addressing an additional point not now covered by the bill: the issue of the duration of transfers of rights. U.S. copyright law, back to the very first Copyright Act passed in 1790, has struck a balance between the interests of individual authors who create works and the publishers who foster the goals of copyright by promoting the wide dissemination of those works to the public. In various Acts, up to and including