Copyright term, film labeling, and film preservation legislation : hearings before the Subcommittee on Courts and Intellectual Property of the Committee on the Judiciary, House of Representatives, One Hundred Fourth Congress, first session, on H.R. 989, H.R. 1248, and H.R. 1734 ... June 1 and July 13, 1995 (1996)

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399 Given this background, Congress night plausibly reach the sane conclusion on this specific (question as the drafters of the E.C. Directive did, with less contorted reasoning. The clain that the existing tern accounts inadequately for the greater longevity of authors and their heirs under present-day conditions often rings true, even though the nagnitude of the problen is held in check by the possibility that the original author's otm lengthened lifespan will reduce the burden on his or her dependents. He see this often in Nashville, where families literally depend on royalties fron country nusic that continues to be exploited long after the composer's or lyricist's death. The prospects that persons in no way connected with the creation or pronotion of such works might continue to exploit then without paynent to the authors' direct heirs does raise concerns of fairness and equity, as a matter of cultural policy. '"^ Under the Copyright Act of 1976, noreover, authors and their dependents expressly retain the right to teminate at least one transfer of their exclusive rights, and possibly others, at the expiration of thirty-five years fron the date such grants were nade.'" To the extent that domestic law otherwise inhibits publishers from circumventing this termination right, the chances that a lengthened basic term of protection would actually benefit authors, artists, and their Immediate feunilies, rather than "•* See, e.g. . Reese, suora note 88, at 724-25. *" SS& 17 U.S.C. SS 203, 304(c) (1988). For simplicity, only S203 is considered here.