Copyright term, film labeling, and film preservation legislation : hearings before the Subcommittee on Courts and Intellectual Property of the Committee on the Judiciary, House of Representatives, One Hundred Fourth Congress, first session, on H.R. 989, H.R. 1248, and H.R. 1734 ... June 1 and July 13, 1995 (1996)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

625 trade, in our balance of payments — as a result of the additional 20 years of protection that will be accorded in the EU. Term extension will accrue to the benefit of the public, as a whole, as well as to individual authors and copyright owners and their heirs. Many of those who expressed opposition to term extension, when the Copyright Office was considering the issue, were interested in seeing motion pictures enter the public domain. They assume that if our copyright terms are extended. United States motion pictures will have a longer term of copyright (95 years) than works for which a legal person is the rightholder in the EU countries (70 years) . See. EU Directive, Art. 1(4). This argument is based on a faulty premise and is flatly wrong. Under the EU Directive, there is a special superseding provision for motion pictures: the term of copyright in motion pictures is based on the longest life of the four categories of "authors," plus 70 years.— See. EU Directive, Art. 2(2). Thus, in the EU, a motion picture could easily be accorded a copyright term of 95 years if the youngest of any of the four persons designated — The four categories are the director, the screenwriter (the author of the scenario) , the scriptwriter (the author of the dialogue) and the composer of the music. -23