Exhibitors Herald (Sep-Dec 1923)

Page scan 0001352 from Exhibitors Herald

Record Details:

Title:
Exhibitors Herald
Date:
Sep-Dec 1923
Author:
Exhibitors Herald Co.
Publisher:
Chicago, Exhibitors Herald
Volume:
Exhibitors Herald (Sep-Dec 1923)
Leaf #:
0001352
Language:
English
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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40 EXHIBITORS HERALD December 22, 1923 BURNS LOBBIES GET CROWDS AMOK IIUWC FRANK H. BURNS writes this week of his campaign for First National's "Flaming Youth." His lobby display is reproduced at left, his letter and one of his newspaper ads on preceding pages. MR. BURNS' display for "Rosita," United Artists, at the Beacham theatre, Orlando, Fla. THE BURNS lobby layout for "Strangers of the Night," Metro picturization of "Captain Applejack." THE BEACHAM lobby as decorated for the run of Metro-Jackie Coogan feature, Long Live the King."