Exhibitors Herald (Dec 1923 - Mar 1924)

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tSuckliatuMf WASHINGTON D.C. POST ^cciuittal ^^ aPPro^^^^ Universal 152^5^-%^^^^—^ ^.. did' Mystery, grinping. enthralling mv'^tery, this is the underlying^ feature nf "The Acquittal." It baffles from the start: through an eng-rossing courtroom sequence one wonders "Who's sruilty?" Through the sensational ep-' isodes that follovy, one still wonders. The sinister finger of suspicion points first at one character, then another. Finally, in a.n astounding ciimax. the solution 1« cleared iu one dramatic moment. t ,, ^ In fact, remarkable scenic effects wiark the production througouht and help to make "^ J^'^.'' '" "'''''"'' ^^"'"' "'' ''"' '^•"rfil By -thlsaiioa aU .t.h& wgrld knows which horse won the in tcrnat'ional WASHINGTON D.C.TIMES "Acquittal;1 at rialto. GOOD ^i f^y. MORNING WORLD If wo. were asked to characterize in one word "The Acquittal," Universal's adaptation of Rita Wei;aan's stage success which was ■i.-L-sented at the Rialto yesterday ;n its screen v»rsion, we should say unique, and say it with ernpli.-isis for in our estimation it is Mil that the word imparts. Y'es, we haye found one whi.;h is in a vJ.-iss. by itself. , ' ' Wu iire of the oi)inion that it is th'i most remarkable trial ever por>i.-':d on the silyer sheet, "T:m Acquittal" is worthy of con(=iiii-. .ition and commendation. As onterLainm--nt value, it -nedium brow j^ '''^''' ^°^ a°d "'""^ ^ourt roo" '°'"'" '" '^a' «"'-man wrote ,„To T"'' "'"<='• ^^'^ R'alto several f "°^°'""' °" '^e Efficacy Of the fi,""''""'' ^'^°"' '^e 'hlnffs as "The A . ^"'' «"=" -«"'-• Given, T'"'^" "'^ «° "^' deliberatelv ,^°"'"^ ^hlch when the = ^ "P to the H^ iv-it„ accused sfcr,,, ^ "We '^^'nf^sa stand to ■b^. * "P°" the P'.ying the earner. V^"'"' then ap -eproducing '^^"^^a-^hift method o J-Jhs. ^<«fy presented by CARL LAEMMLE (o Barbara BedFord^ (iichard Travers MURDAY EVENING POST^ oireded by OBvewce brown