Exhibitors Herald (1927)

Record Details:

Title:
Exhibitors Herald
Date:
1927
Volume:
Exhibitors Herald (Mar-Jun 1927)
Leaf #:
000279
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
September 21, 2023
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April 2, 1927 EXHIBITORS HERALD 35 Interrupted “in conference!” Natalie Kingston breaks up a solemn train of thought with a campaign for tickets to a Hollywood sociable. The conferees are Millard Webb, left, above, Carey Wilson, right, and Mervyn LeRoy, First National comedy constructor. Esther Ralston is in this style in “Fashions for Women,” Dorothy Arzner’s production for Famous Players-Lasky. F. C. Quimby arrives in Europe on a business trip following bis appointment as sales manager of the M. G. M. short features. Coffee and sinkers provide a substitute for more delectable sustenance for the trio stopping at noontime in M.-G.-M.’s studio restaurant. They are James Murray, left, Eleanor Boardman and her husband. King Vidor. This gentleman is well pleased with having the “Blues” on the set. Mrs. Blue and Miss Barbara Ann Blue visit Monte, who is working in “The Brute.” An early picture on his schedule will be Banks’ “Black Ivory.”