Exhibitors Herald and Moving Picture World (Oct-Dec 1928)

Record Details:

Title:
Exhibitors Herald and Moving Picture World
Date:
Oct-Dec 1928
Author:
Quigley Publishing Company
Publisher:
Chicago, Quigley Publishing Company
Volume:
Exhibitors Herald and Moving Picture World (Oct-Dec 1928)
Leaf #:
00039
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
September 21, 2023
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October 6. 1928 Above: A scene from •'The Whip," First National story of the British turf. Anna Q. Nilsson and Marc McDermott (at left) are featured players, while Dorothy Mackaill (shown above) and Ralph Forbes have the leads. Right: An embarrassing moment for Jo.? Brown. Can't be an income tax return, so it must be a love letter — a serious matter for Al Ray, since he's directing Brown in Tiffany-Stahl's "Queen of Burlesque." "Eat, little lambkin! Don't you fear — milk makes mutton good and dear!" The starving poet's lines are appropriate indeed to this luncheon scene at Warner Brothers' studio. In the unofficial role of Mary is Dolores Costello. so we assume the lambkin is a left over from "Noah's Ark." Carl Laemmle, Universal's president; Carl, Jr., and Rosabelle Laemmle attired for Miss Laemmle s recent "circus party." At left a non-blindfold test engages other Universal folk on "The Night Bird" set. Seated at right are "Bubbles" Steiffel, feminine lead; Reginald Denny, star, and Director Fred Newmeyer.