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history of the motion picture. 3 Vols. N. Y.,
Suiion & Schuster, 192tj. Reiohenbach, Hariy ami Freedman, David. Phantom fame: the anatomy of ballyhoo. London,
Noel Doug-las, 1932. Rogers, Betty. Will Rogers, his wife's story.
Indianapolis. Bobbs-Merrill, 1941. Rosenstein, Jack. Hollywood leg man. Los Angfeles.
Madison Press, 1950. Rotha. Paul. Film till now: a survey of world
cinema, rev. and enl. ed. N. Y.. Funk. 19.'j0. Rotha Paul and Manvell. Rog^er. Movie parade.
1888-1949: a pictorial survey of world cinema.
new enl. ed. London. Studio Publications. 1950. Sadoul. Georges. Histoire generale du cinema.
3 vols. Paris, Denocl. 1947. Sinclair. Upton. Upton Sinclair presents William
Fox. Los Anseles. 1933. Speed. F. M. Movie cavalcade: the story of the
cinema, its stars, studios and producers. Xyon
don. Raven Books, 1944. Stout. Wcsle.v W. An American comedy, acted by
Harold Lloyd. N. Y.. Longrmas, Green, 1928.
Talmadge, Margaret L. Tlie Talmadge sisters.
Phila.. Lippincott. 1924. Tale, Alfred O. Edison's open door. N. Y.,
Dutton, 1938. Taylor. Deems and others. A pictorial history of
the movies. Rev. ed. N. Y.. Simon & Schuster.
1950.
Taylor. Robert L. W. C. Fields: his follies and fortunes. N. Y.. Doubleday, 1949.
Thrasher, Frederic: ed. Okay for sound; how the screen found its voice. N. Y., Duell. Sloan & Pearce, 1946.
Tyler, Parker. Chaplin, last of the clowns, N. Y.. Vanguard Press. 1948.
Von Ulm. Gerilh. Charlie Chaplin, kins of tragedy. Caldwell, Idaho. Caxton Printers. 1940.
Wagner. Rob. Film folk. N. Y.. Century. 1918.
Williamson, Alice M. Alice in movieland. N. Y.. D. Appleton & Co.. 1928.
Winchester's screen encj'clopedia. London. Winchester Pub.. 1948.
Wood. Leslie. Life stories of the stars. London. Burke, 1946.
IV. THE ART, APPRECIATION, AND CRITICISM OF
MOTION PICTURES
Ag^ate, J. E. Around cinemas: 2nd series. London. Home & Van Thai, 1948.
Arnheim, Rudolf. Film. London. Faber & I'aber, 1933.
Barry. Iris. Let's go to the movies. N. Y., Payson & Clarke. 1926. Beaton, Wilford. Know your movies; the theory
and parctice of motion picture production.
Hollywood. Howard Hill, 1932. Bennit-Levy, Jean. The art of the motion picture.
N. Y., Coward-McCann. 1946. Bernhardt. Sarah. Art of the theatre. London,
Bles Pub. Co., 1924. Belts, Ernest. Heraclitus. or the future of the
film. London. Kegan Paul. 1928. Bloem, Walter S. The soul of the moving picture.
N. Y., Dutton, 1924. Bower. Dallas. Plan for cinema. London, Dent,
1936.
Buch.nnan. Andrew. Going to the cinema. London,
Ptinenix House. 1947. Carter. Huntly. The new spirit in the cinema.
London, Shaylor, 1930. Dale. Edgar. How to appreciate motion pictures.
N. Y., Macmillan. 1933. Deren, Maya. An anagram of ideals on art. form
and film. N. Y.. Alicnt Book Shop Press. 1946. Eisenstein, Sergei M. Film form: essays in film
theory. N. Y.. Harcourt. Brace & Co., 1949. Eisenstein, Sergei M. The film sense. N. Y.,
Harcourt, Brace & Co.. 1947. Paure, Eli. The art of cineplastics. Boston,
Four Seas Co.. 1923. Preeburg, Victor O. The art of photoplay making.
N. Y., Macmillan, 1918. Preeburg, Victor O. Pictorial beauty on the
screen. N. Y., Macmillan, 1923. Gassner. John and Nichols. Dudle.v. Best film
plays, 1945. N. Y., Crown Pub., 1946. Gassner, John and Nichols. Dudley. Best film
plays of 1943-1944. N. Y.. Crown Pub., 1945. Gasner, .John and Nichols, Dudle.v. Twenty best
film plays. N. Y., Crown Pub., 1943. Gorelik. Mordecai. New theatres for old. London. Dennis Dobson. 1947. Kennedy. Margaret. The mechanized muse. London. Allen & Tlnwin. 1942. Leieune. C. A. Chestnuts in her lap, 1936-1946.
London Phoenix House, 1947. Lewin, William Photoplay appreciation in Ameri
cnn high schools. N. Y., Appleton-Century,
1934.
Lindgren, Ernest. The art of the film: an introduction to film appreciation. N. Y., Macmillan. 1948.
Lindsay, Vachel. The art of the moving picture. N. Y.. Macmillan, 1916.
Manvell, Roger, ed. Experiment in the film. London. Grey Walls Press, 1949.
Manvell. Roger. Film. London, Penguin Books, 1946.
Muensterberg, Hugo. The photoplay: a psychological study. N. Y.. Appleton. 1916. Nicoll, Allardyce. Film and theatre. N. Y..
Crowell, 1936. Nilsen. Vladimir. The cinema as a graphic art.
London. George Newnes, 1937. Pitkin. Walter B. and Marston. William M. Tlic
art of sound pictures. N. Y., Appleton, 1930. Pudovkin. V. I. Fim technique and film acting.
N. Y., Lear, 1949. Rand. Helen and Lewis. Richard. Film and school.
a handbook in moving-niclure evaluation. N. Y..
Appleton-Century. 1937. Robson. E. W. and M. M. Film answers back.
London. Lane. 1948. Seldes. Gilbert. An hour with the movies and
talkies. Phila.. Lippincott. 1929. Seldes. Gilbert. The movies come from America
N. Y.. Scribner's, 1937. Seldes, Gilbert. The great audience. N. Y. Vikin!r.
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Sherwood. Robert E.. ed. The best moving pictures of 1932-23. Boston. Small, Maynard & Co., 1923.
Slauffacher. Frank, ed. Art in cinema: a symposium on the avnnt garde film. San Francisco. Museum of Art. 1947.
Vnn Doren. Mark. The private reader. N. Y.. Holt. 1942.
Vaidac. Alexander Nichols. Stag-e to screen: theatrical method from Garrick to Griffith. Cambridge. Harvard University Press. 1949.
Vreeland, Frank. Foremost films of 1938. N. Y.. Pitman. 1939.
Wald, Jerry, and Macaule.v. Richard. Best pictures of 1939-40. N. Y.. Dodd, Meade & Co.. 1940.
Wollenberg. H. H. Anatomy of the film: an illustrated guide to film appreciation. London. Mnrsland Pnb.. 1947.
Wright. Basil. The use of the film. London, Bodlev Head. 1948.
V. EXHIBITION
Balaban, Carrie. Continuous performance. N. Y., G. P. Putnam's Sons, 1942.
Barry, John F. and Sargent, E. W. Building theatre patronage; management and merchandising. N. Y., Chalmers Pub. Co., 1927,
Burris-Meyer. Harold and Cole, Edward C. Theaters
and auditoriums. N. Y.. Reinhold. 1949. Directory of motion picture theatres. N. Y..
Motion Picture Association of America, 1948. Drive-in theatres in the United States. N. Y..
Motion Picture Association of America, 1948.
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