The film finds its tongue (1929)

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FOUR MEN STAKE ALL n day of gigantic motion picture investments this was large. And the ordinary motion picture investment was a reasonably sure thing, while this was a hundred per cent gamble. . . . Slowly the theatre filled. Every seat was sold, and occupied. It was a curious, speculative audience, there on , unfamiliar grounds, uncertain what it was about to see, or how it should be received. It was prepared more to see a scientific marvel than to be entertained. The four men were prepared — for anything. Eight-thirty arrived. The lights dimmed; babble of voices hushed. A white beam shot overhead and splashed upon the screen; the beam from the movie projector. But it fell first on the draped curtains on the stage, revealing a subtitle. The curtains parted on a conventional cinema screen. The title gave way, familiarly, to a photograph ... a man ... Will H. Hays. He advanced to the foreground and there was a little sound. It penetrated through people's minds that they had "heard" him clear his throat. Then, suddenly, the picture began to speak! The audience hung on its every word, half expecting something to happen . . . that the