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February, 1948
FILM INDIA
a Congressman. He is a responsible Congress legislator in the r.ll-India field. For lesser things people like Dr. Khare and K. F. Nariman have been thrown jut of the Congress, then why is not any disciplinary iction taken against Manu Subedar? Or has the [ndian National Congress ceased to be a democraie body in Free India?
When we wrote something about s small subject ike cinema slides against goondaisni being shown inly in Gujerati in Bombay, the Government of Bombay quickly corrected us by sending statistical nformr.tion showing the number of slides prepared jn other languages and insisted on a dementi being published in a subsequent issue of the magazine.
But on this Manu Subedar matter, the Government of Bombay has kept completely mum and we re not even told what our truth and democracywing ministers feel aboui those two huge buildings. I'orth forty lakhs, built without the help of our steel nd cement controllers. Those buildings are in lombay, the capital of the Bombay Government, nd as such within the absolute jurisdiction of the lombay Ministry in respect of issuing licences for be hotel and the cinema. And both the hotel and he cinema require licences from the Commissioner If Police in Bombry, the official who works directly |tider Home Minister Morarji Desai.
Once again we request readers of "filinindia" all •er India to watch this Manu Subedar case and e future behaviour and action of the Bombay inistry. This case is a touchstone of our demoacy. Let every one remember that.
SUSHILA RANI
Iohan Saigal appears to be wondering why somehing has gone wrong with him in Navayug Chitra's "Phool aur Kante".
a
TUSSLE between
LOVE
(ind
CONVENTION
in
A M A R ' S
SOCIAL HIT
GVALAN
* TRILOK KAPOOR * BIPIN GUPTA *
★ MADHURI * DAVID * BIKRAM KAPUR *
ProducerDiret far •
BABURAO PATEL KRISHNA Cinema
★ AJIT RELEASE *
p i c t » m m