Film and TV Technician (1957)

Record Details:

Title:
Film and TV Technician
Date:
1957
Publisher:
London, Association of Cinematograph, Television and Allied Technicians
Volume:
Film and TV Technician
Leaf #:
00017
Language:
English
Subjects:
Motion Pictures, Film Industry Technical Magazine",nyarc-museumofmodernar
Collection:
Hollywood Studio System and United Kingdom
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
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FILM & TV TECHNICIAN SUPPLEMENT January 1957 Guide to British Film Makers PORT AFRIQUE Year of Production: 1955. Studio: M.G.M. Elstree. Laboratory: Technicolor Ltd. Producing Company : Coronado Productions (England) Ltd. Producer: John R. Sloan. Stars: Pier Angeli, Phil Carey, Dennis Price, James Hayter. Director: Rude Mate. Camera Department: Lighting Cameraman, Wilkie Cooper: Camera Operator, Gus Drisse; 1st Camera Assistant (Focus), Mike Wilson: Other Camera Assistant, Mark Hyams; 2nd Camera Operators, Ian Struthers, Peter Allwork. Sound Department: Recordist (Mixer). Sash Fisher: Sound Camera Operator, Harold Clark: Boom Operator, John Streeter; Other Assistants (Maintenance), Michael Basselt ; Dubbing Crew, J. B. Smith, W. Carr, C. Jones. J. Bramall. Art Department: Art Director, Wilfred Shingleton ; Assistant Art Director, John Hoesli: Draughtsman, Kenneth Tate; Dress Designer, Julia Squire. Editing Department ; Editor. Ray Poulton; Assembly Cutter and 1st Assistant, Valerie Leslie; Other Assistant. Peter Keen; Dubbing Editor, Winston Ryder. Production Department: Production Manager and/or Unit Production Manager, R. L. M. Davidson; 1st Assistant Director, Gus Agosti; 2nd Assistant Director, Jeremy Summers; 3rd Assistant Director, Peter Lennard; Location Manager, Juanito Solorzano; Continuity, Angela Allen; Production Secretary, Sheila Neal. Stills Department: Still Cameraman. Eric Gray. Special Processes: Tom Howard (Model), E. Bennett. D. Manning. Publicity Director: Catherine O'Brien. THE SHIELD OF FAITH Year of Production : 1955. Studio: National Studios, Elstree. Laboratory: Denham Laboratories Ltd. Producing Company: G.H.W. Productions Ltd. Producer: Church and Chapel Films Ltd. (i/c Production: Jas. B. Sloan). Stars: Mervyn Johns, Adrienne Corri. Emrys Jones. Director: Norman Walker. Scenarists: Lawrence Barrett from an original story by J. Arthur Rank and R. Noel Evans. Camera Department: Lighting Cameraman, Lionel Banes: Camera Operator, Harold Haysom; 1st Camera Assistant (Focus), Derek Whitehurst : Other Camera Assistant, Ken Claik. Sound Department: Recordist (Mixer), Dave Howells; Sound Camera Operator, Michael Bassett; Boom Operator. George Paternoster; Dubbing Crew. Maurice Askew, Bernard Childs, George Lewis. Art Department: Art Directors, George Provis, Cedric Dawe. Editing Department: Editor. Duncan Spence: 1st Assistant. Terrv Hine: Other Assistants. Moira Finney Dubbing Editor, Duncan Spence. Production Department: 1st Assistant Director. Pat Morton: 2nd Assistant Director, Dave Tomblin; Continuity. Majorie Round. Stills Department: Still Cameraman. Cyril Stanborough. Music: Henry Reed. X— THE UNKNOWN Year of Production: 1956. Studio: Bray. Laboratory: Olympic Kine Labs. Producing Company: Hammer Film Productions. Producer: Anthony Hinds. Stars: Dean Jagger, Edward Chapman. Leo McKern. Director: Leslie Norman. Scenarist: Jimmy Sangster. Camera Department: Lighting Cameraman, Gerald Gibbs; Camera Operator, Len Harris; 1st Camera Assistant (Focus). Harry Oakes ; Other Camera Assistant, Michael Rutter; Second Camera Operator. John Reid. Sound Department: Recordist (Mixer), Jock May; Sound Camera Operator, Michael Sale; Boom Operator, Jim Perry; Dubbing Crew, Anvil Films. Beaconsfield; Sound Maintenance, Charles Bouvet. Art Department: Art Director, Edward Marshall; Draughtsman, Don Mingaye. Editing Department : Editor, James Needs; 1st Assistant, W. Bouvet; Dubbing Editor, A. Cox. Production Department : Production Manager and/or Unit Production Manager. Jimmy Sangster; 1st Assistant Director, Chris Sutton; 2nd Assistant Director, Roy Stevens; 3rd Assistant Director, Hugh Harlow: Continuity, June Randall; Production Secretary, Margaret Quigley. Stills Department: Still Cameraman, Tom Edwards. Special Processes: Trick Work, Bowie Margutti. Publicity Director: Bill Batchelor. THE HIGH TERRACE Year of Production: 1956. Studio: Nettlefold, Walton-on-Thames. Laboratory: Denham Laboratories. Producing Company: Cipa Productions Ltd. Producer: Robert S. Baker. Production Supervisor: Ronald C. Liles. Stars: Dale Robertson, Lois Maxwell. Director: Henry Cass. Scenarists: Norman Hudis. Alfred Shaughnessy. Camera Department: Lighting Cameraman, Eric Cross; Camera Operator, Desmond Davis: 1st Camera Assistant (Focus). Manny Wynn ; Other Camera Assistant, Ken' Goodman: Second Camera Operator, Eric Besche. Sound Department: Recordist (Mixer), Fred Ryan; Sound Camera Operator. Aubrey Lewis: Boom Operator. Bill Baldwin: Dubbing Crew, Anvil Films Crew — Beaconsfield; Sound Maintentance, Dennis Arundell. Art Department : Art Director, Arthur Lawson; Assistant Art Director and Draughtsman, Maurice J. Pelling. Editing Department: Editor. Henry Richardson: 1st Assistant, Roy Norman; Dubbing Editor, Henry Richardson. Production Department: Production Manager, Charles Permane; 1st Assistant Director, Clive Midwinter2nd Assistant Director. Ted SturgisContinuity. Barbara Thomas; Production Secretary, Elizabeth Carr. Stills Department: Still Cameraman Frank Bellingham. SAILOR BEWARE Year of Production: 1956. Studio: Shepperton Studios. Laboratory: Humphries. Producing Company: Remus Films Ltd. Producer: Jack Clayton. Stars: Peggy Mount, Cyril Smith, Ronald Lewis, Shirley Eaton. Director: Gordon Parry. Scenarists: Philip King, Falkland L. Cary. Camera Department: Lighting Cameraman, Douglas Slocombe; Camera Operator, Jeff Seaholme; 1st Camera Assistant (Focus), Gerald Fisher; Other Camera Assistants, Ronald Drinkwater. Sound Department: Recordist (Mixer). Peter Handford : Sound Camera Operator, J. Smart ; Boom Operator, Bill Cook; Dubbing Crew. R. Jones, P. Cunningham, B. Hopkins. Art Department: Art Director, Norman Arnold; Draughtsman, W. Hutchinson. Editing Department: Supervising Editor. Ralph Kemplen; Editor, Stan Hawkes ; 1st Assistant. Alban Streeter; Other Assistant, John Kelly. Productit Department: Production Manager. Raymond Anzarut ; 1st Assistant Director, Buddy Booth; 2nd Assistant Director, David Bracknell; 3rd Assistant Director, Otto Plashkes: Continuity. Doreen Francis; Production Secretary, Doris Prince. Stills Department: Still Cameraman, Eric Gray. Special Processes : T. M. Brian Langley (Hired from Pinewood Studios). Publicity Department : Publicity Director, Lilanna Wilkie. THE LAST MAN TO HANG Year of Production: 1956. Studio: Nettlefold Studios. Laboratory: Rank Laboratories. Producing Company: A.C.T. Films Ltd. Producer: John Gossage. Stars: Tom Conway, Elizabeth Sellars. Eunice Gayson, Freda Jackson. Director: Terence Fisher. Scenarists: Ivor Montagu and Max Trell. Camera Department: Lighting Cameraman, Desmond Dickinson; Camera Operator, Brian Rhodes ; 1st Camera Assistant (Focus), D. Lewiston : Other Camera Assistant, John Shinerock. Sound Department: Recordist (Mixer), Wally Day; Sound Camera Operator, Ray Raynham: Boom Operator. D. Somerset; Dubbing Crew, R.C.A.. Hammersmith: Maintenance. Charles Earl. Art Department : Art Director. Allan Harris: Draughtsman, David Butcher. Editing Department: Editor, Peter Taylor: 1st Assistant. Peter Miller; Other Assistant, R. Love. Production Department: Production Manager. Fred Swann; 1st Assistant Director. Rene Dupont : 2nd Assistant Director, Charles Hammond; 3rd Assistant Director. Dennis Hall: Continuity, Pauline Roberts; Production Secretary, Sallv Rich. Stills Department: Still Cameraman. Dick Cantouris. Publicity Department: Publicity Director. Horace Beck.