Hands of Hollywood (1929)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

The Camera Department will know just where to place all the props by looking at these stills. Also, all advertising lithographs and display pictures used in front of theatres are taken from stills. Therefore, the still cameraman must know how to place the actors and actresses in poses which will show outstanding characterizations, the big moments of the story and scenes which will arouse interest and curiosity. The qualifications are: a knowledge of portrait photography; knowledge of the lighting of sets; the ability to group characters in interesting poses. The salary ranges from $75.00 to $150.00 per week. The Clerk of the Camera Department works under the supervision of the chief of the camera department. This clerk keeps a record of the amount of film used by the various cameramen and sees that the film "shot" during the day is taken to the laboratory. He instructs the laboratory to develop and print the footage of each production, according to the directions of the cameraman who "shot" the particular film. He also takes care of the scene library, and has charge of the ordering of replacement parts for the cameras. The qualifications are: knowledge of the various parts of the camera; general knowledge of the developing and printing of film; and an understanding of the distinctive qualities of every kind of film. The salary ranges from $50.00 to $75,000 per week. SCENE LIBRARY Every studio maintains a scene library which contains a great number of stock "shots." This is a collection of scenes taken in previous pictures and of special scenes taken by the cameramen for future use, such as: scenes of actual streets, of leading cities of the world, of famous historic spots, of train wrecks, of burning buildings, of falling aeroplanes, of floods, of parades, of cafe and ballroom crowds, etc. There are hundreds of thousands of feet of film in these libraries and every scene is catalogued carefully. The clerk of the camera department takes care of this library, adding scenes to it from time to time. [67]