The history of three-color photography (1925)
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538 History of Three-Color Photography
105. Congress German Phys. Soc. ; Brit. J. Phot. 1908, 55, Col. Phot. Supp. 4, 11.
106. Wien. Mitt. 1908, 142; Brit. J. Phot. 1909, 56, Col. Phot. Supp. 3, 27.
107. Bull. Soc. franc. Phot. 1908, 54, 473; Brit. J. Phot. 1908, 55, Col. Phot. Supp. 2, 11.
108. Phot. Rund. 1910. 24, 120.
Projection on to a translucent tracing cloth was recommended, Phot. Ind. 1910, 924. B. J. Falk, U.S.P. 1,152,156; E.P. 11,354, 1908 patented a mirror viewing frame.
109. Phot. Chron. 1909, 16, 245,256; Brit. J. Phot. 1909, 56, Col. Phot. Supp. 3, 44; Jahrbuch, 1910, 24, 192, 322.
110. Wien. Mitt. 1909, 205; Jahrbuch, 1910, 24, 154; Brit. J. Phot. 1909, 56, 47.
111. Wien. Mitt. 1909, 269. Cf. Brit. J. Phot. 1908, 55, 445.
112. Wien. Mitt. 1909, 269, 276.
113. Phot. J. 1912, 52, 341.
For stand for exhibiting screen-plates see : H. F. Perkins, Photo-Era, 1916, 36, 103; Brit. J. Phot. 1916, 63, Col. Phot. Supp. 10, 13. Cf. Brit. J. Phot. 1914,
61, Col. Phot. Supp. 8, 35. P. Duchenne, D.R.P. 231,872, 1910 patented a frame for viewing transparencies, which took the form of a book, in one cover of which was an electric lamp and a mirror to reflect the light through the slide. Cf. P. Duchenne and F. Forbin, E.P. 15,347, 1910; Brit. J. Phot. 1911, 58, 343. V. Letouzey, Bull. Soc. franc. Phot. 1909, 56, 83. F. Dillaye, Les Nouveautes Phot. 1911, 113.
114. U.S.P. 1,204,401; F.P. 470,712; E.P. 8,805, 1914; Brit. J. Phot. 1915,
62, 26. The patentee would enrich the English language by some new terms, for he calls the screen image a "repliture," the phenomenon is "repliturance" and the device a "repliturant."
On viewing Autochromes by artificial light see : R. Locquin, Photo-Rev. 1908,
20, 81, 94; Brit. J. Phot. 1908, 55, Col. Phot. Supp. 2, 75. E. Marriage, ibid. 970; Camera Craft, 1909. 16, 187. G. Massiot, Bull. Soc. franc. Phot. 1908, 55, 207. Poulenc Freres, ibid. 487. De Dalmas, ibid. 1910, 57, 398; Photo-Gaz. 1911,
21, 187; Brit. J. Phot. 1911, 58, Col. Phot. Supp. 5, 7. W. Thorner, ibid. 1913, 60, ibid. 7, 32 R. M. Fanstone, ibid. 1922, 69, ibid. 16, 22. C. Adrien, Bull. Soc. franc. Phot. 1923, 65, 114; Rev. Franc, Phot. 1925, 6, 13. G. Massiot, ibid. 1922, 64, 271. A. Polack, Bull. Soc. franc. Phot. 1925, 67, 83.
For method of mounting Autochromes see : H. Chrevier, Bull. Soc. f rang. Phot. 1908, 55, 257. Poulenc Freres, ibid. 1909, 56, 39. A. Palocsay, Phot. Korr. 1909, 46, 569. H. C. Messer, Brit. J. Phot. 1912, 59, Col. Phot. Supp. 6, 54. G. Massiot, Bull. Soc. franc. Phot. 1914, 61, 224; Brit. J. Phot. 1914, 61, 40. A. and L. Lumiere, Bull. Soc. franc. Phot. 1908, 55, 486; Brit. J. Phot. 1909, 56, Col. Phot. Supp. 3, 8; ibid. 1910, 57, ibid. 4, 483 described a magazine viewing apparatus, called a chromodiascope. A. E. Morton, Brit. J. Phot. 1919, 66, Col. Phot. Supp. 13, 23 described a combined retouching and viewing stand. R. M. Fanstone, Brit. J. Phot. 1923, 70, Col. Phot. Supp. 17, 16. L. Lumiere, Brit. J. Phot. 1924, 71, Col. Phot. Supp. 18, 21 ; Sci. Ind. Phot. 1924, 4, 59, 108, described a projector for large Autochromes, using condensers as the objective. B. Grotta, Camera, 1924, 29, 291. C. Adrien, Rev. Frang. Phot. 1925, 6, 25, 65, 82, 91.
O. Bloch, Phot. J. 1925, 65, 312, announced that J. Hetley & Co., 35 Soho Square, London, W. England, could supply a special copper blue glass, known as M F, which gave a spectral distribution like mean daylight, which was very suitable for viewing and exhibiting screen-plates.