The history of three-color photography (1925)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Stereoscopic Pictures with Autochromes 571 to make use of the least degree of enlargement, that is to say, to choose lenses for the stereoscope of long focus, and in order to retain the geometrical truth of the stereoscopic effect, it is likewise advisable to choose a pair of lenses for the camera of 18 to 25 cm., in place of 9 to 15 cm., which are usually employed. This choice of longer focal length for all the lenses has a further advantage, which is connected with the character of the screen-plate, and does not apply to ordinary slides. This lies in the fact that while the exposure is made through the glass, the transparency is viewed from the film side. The direction, therefore, in which oblique rays fall upon the elements and emulsion during exposure, does not correspond with that in which the rays pass through the film when observed in the stereoscope. In Fig. 155 an exaggerated representation is given of the marginal portion of a screen-plate transparency, in which oblique rays are falling on the plate. It is seen that the portion which appears actually red, may appear green to the eye. This difficulty is gotten over by looking at the positive through the glass but the picture is then reversed. sir/* Fig. 155 (Page 575). There is one point in connection with the cutting of screen-plates, and that is the very great possibility of the film splitting from the glass, if the latter be cut in the usual manner, that is to say with the diamond on the glass. The method of avoiding this was suggested by Garel.5 Place the plate, film up on the table and with a sharp knife cut right through the film down to the glass, making two such incisions about one-eighth of an inch apart and equidistant from the medial line of the plate. To ensure the diamond cutting exactly between the two incisions, a cardboard gauge should be used, which can be easily made by drawing a line on a sheet of smooth card, equal in length to the base line of the plate. Near the center, at right angles to the base line of the plate, should be drawn two lines, the distance between them being equal to the cut of the diamond. This, as a rule, varies slightly, but it is extremely easy to find, by placing a foot rule, or straight edge, on the card drawing a pencil line as closely as possible