Hollywood (Jan - Oct 1934)

Beauty at Your Fingertips Continued from paste forty-neven does — apply an instantly liquifying cleansing cream that seeps right into the pores and roots out the dirt that cannot be eliminated with mere surface bathing? She does this at least twice a day and gives herself a facial two or three times a week. I remarked not long ago about her truly marble-like skin and this is the answer she gave me: "I sleep nine hours every night. I drink about six glasses of hot water with a bit of lemon juice in it every day. And I never touch fried meats or pastry. For the rest, I use the method of cleansing the face that you gave me." And I confess when I looked at her exquisite skin, that gave me a good deal of satisfaction! Well-kept Hair also plays a big part in smartness. Shining hair neatly arranged, that "immaculate look," and groomed hands will put you at your best at the festive Holiday table! If you want to accent personality, however, be vivid and vibrant. Somehow that's synonymous with "pep." So accentuate your rouge and lipstick just a trifle. "Pick up" the corners of your mouth by curving them upward. Do the same with your eyebrow pencil to the corners of your eyes. You want the lines of your face going up. Laughing lines. Gay and jolly. Have your hair in chic, saucy little curls at the nape of your neck. Joan Blondell and Bette Davis are two actresses who typify what I mean by "personality." And they do it in two different ways. Joan is the "hey-hey" girl. Bette is the radiant co-ed. She has combined poise with pep. You feel it in that lovely, husky voice of hers. In her swift but smooth gestures. Both girls have learned the trick of "heightening" their faces. Joan does it with cheek rouge and eye make-up. Bette has brought out the shade of her naturally blond hair to a golden color and dramatized her mouth. So that along with personality she has a touch of glamour. Glamour — the by-word of this modern age. And who is a more apt example of it than Joan Crawford? Mystery, not the secretiveness of a Garbo, but that element of eternal feminine mystery that precludes such things as girlish giggles and coy glances . . . striking effects in make-up . . . interesting color contrasts in clothes . . . these are all a part of glamour. Joan has cultivated a rich voice with full rounded tones — a basic part of this delightful witchery. And in her appearance she has deliberately cultivated angles. Done it fascinatingly too. With her eyebrows, for instance; notice their abrupt swerve. Her lips are very full, very rounded. She has used deep eyeshadow to bring out the clear whites of her large eyes — a singularly interesting contrast. And she dresses her hair so that it serves more as a dramatic frame for her features than as a softening influence. Somehow, a rosy glow and glamour go together. For that reason I'd suggest a slight touch of rouge on your chin. 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