Hollywood (Jan - Oct 1934)

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CHICAGO SCHOOL OF NURSING Dept. 1321. 1601 Warren Ave., Chicago, III. Please send me free booklet and 32 sample lesson pages. Name City State Age 66 Maedchen In Hollywood Continued from page thirty-nine as a development of long experience. When she was still in her fifteenth year, she was placed, through her own efforts, under the charge of the great Max Reinhardt, and was sent to the Josephstaedter Theatre in Vienna. The Vienna director was not so enthusiastic about her going on the stage. "I got so mad," she laughingly told me, "and he said, 'There! That is what you should do.' " As a result, she was given a part. She played in Vienna for a year and then moved on to other theatres. She was on the stage four years before she was given a chance, by the Emelka Studio, to make twelve motion pictures, one of which was the most successful ever produced in Europe. When, at the end of two years, she had completed her picture contract, she returned to her first love — the stage. She starred behind the footlights for a year in Munich, and then went to Frankfort, where she became a reigning favorite in every conceivable type of role, including singing parts in light opera and musical comedy. Until 1931, This talented actress had never appeared in Berlin nor had been approached by any of the Berlin studios. The unbecoming blond wig she had worn in the pictures she made for Emelka had all but ruined her opportunity for another screen career. Only the fact that the director of Maedchen in Uniform was a family and personal friend, in addition to her proven talents, placed her in the cast of that picture. Her memorable performance as the Fraulein von Bernburg resulted in offers from almost every studio in Hollywood. Dorothea flatly refuses to attend previews of her pictures. "I cannot stand to go to my previews," she explained, "because I get so nervous; so — -so tense. I must see my picture alone, or when the audience does not treat it as a new picture. Once, I saw my picture and the audience whistled. I said to myself, 'That picture cannot be so bad as that,' and then I found out that the audience was applauding. In Germany, the audience whistles when it does not like a picture." Dorothea has found little difference in the studio life of the two countries. One phase of studio life that particularly impressed her was the number of girls who have sought her advice on the way to start on a stage or picture career. "If a girl wants to come into the theatre," she seriously stated, "she does not ask. There must be something inside of her that makes her go right in. She must not stop for anybody." I asked her how she thought that would work in Hollywood's carefully guarded studios. "She must not let anyone stop her," she laughingly reaffirmed. "She must go right through the offices to the one she wants to see." From a discussion of her Hollywood life, we drifted into a consideration of the picture she had just finished. The story of Cradle Song is woven around the life of a group of nuns in a Spanish convent, with Dorothea garnering top honors in a stirring emotional part. "There is something about it," she declared, "that grips your inner emotions." For the LOWDOWN on Hollywood Read These Great Features IN JANUARY SCREEN PLAY A FAMOUS COLUMNIST TELLS ON MAE WEST Doug Fairbanks' Royal Romance CLARK GABLE LEADS A DOUBLE LIFE Other outstanding features in this issue: Katharine Hepburn's Haunted House, "Don't Ask Me For Money!" says Marie Dressier, Clara Bow's Battle to Save Her Marriage, How to Become an Actress, interviews with Ann Harding, Ann Dvorak, Ginger Rogers and others. NOW ON SALE • If your news dealer is sold out, send 10c in stamps or coin to SCREEN PLAY, 529 South 7th St., Minneapolis, Minn., and a copy will be mailed to you immediately. 10c HOLLYWOOD